The singer Josie Ryan and the viol consort The Emeralds are doing a series of concerts this year to commemorate the 450th anniversary of Claudio Monteverdi’s birth. Monteverdi’s music stands at the cusp between the Renaissance and the Baroque and…
I first met young conductor Sam Allchurch on a tour bus in 2003, travelling around the United States with Gondwana Voices. Tonight’s guest conductor would sit next to me on the bus and we discuss in detail the music we…
Flinders Quartet is such a well-established ensemble on the Melbourne, and indeed Australian, music scene that one might be tempted to view an evening with them as ‘just another performance’ but how wrong that would be! Thursday evening at The…
The Australian Romantic and Classical Orchestra (ARCO) brought a touch of Italian Romance to the Elisabeth Murdoch Hall at the Melbourne Recital Centre on Friday night, and it was an evening of joy and wonder for all. A trio of…
After a prolonged run of wet weather in Sydney, the sun shone brightly for the first concert of the Australian Haydn Ensemble’s 2017 season. It featured the works of WA Mozart, Luigi Boccherini, and Giuseppe Cambini, either arranged for or…
Occasionally you attend a solo recital that reaffirms your belief in the importance of the genre and the concert at the packed Utzon Room at the Sydney Opera House by the cellist Gavriel Lipkind was one of those events. A…
The long line-up outside the Independent Theatre well before opening time augured well for the afternoon’s events, indicating that the regulars know the quality of the lavish afternoon tea provided as part of the afternoon’s entertainment. The ‘Prelude in Tea’…
Whimsical, Intelligent and Difficult. This is how Don Immel, on the Trombone for Three, a unique ensemble seeking to challenge and expand the chamber music space with their combination of brass and guitar, characterised both the final piece on offer…
I first heard the newly-formed Muffat Collective play in the Live Broadcast Studio of radio station Fine Music FM 102.5 late last year and was most impressed. They announced themselves as the latest group of historically-informed performers of seventeenth and…
“He’s not the messiah, he’s a very naughty boy!” The Australian Brandenburg Orchestra stage Handel’s Messiah. It’s a momentous occasion, a season opening concert, and what better than to launch with the masterpiece that is George Frideric Handel’s Messiah. I…
Thomas Heywood’s choice of repertoire on Saturday 18 February at Kelvin Grove College Theatre, presented by TOSA QLD (Theatre Organ Society of Australia QLD), was varied and impressive. The first piece, The Great Gate of Kiev from Pictures at an…
The Utzon Room with its sweeping harbour views behind the stage is always a favourite venue for its dreamy atmosphere. Having the Omega ensemble present this delightful program here was a treat.
Listening to the Song Company in the Yellow House, Potts Point was for many in the audience a trip back in time. Revisiting works and composers that were played on a regular basis in Sydney in the seventies this cabaret…
An inspiring concert in an interesting venue and the repertoire was engaging. This was apparently the third such concert; if there are more, I will be there!
Pianist Stefan Cassomenos strode on stage to warm applause, and left it to a thunderous ovation some 30 minutes later.
The famous and much-loved Clarinet Quintet of Mozart, and two contemporary pieces composed by fellow Australians, Ian Munro and George Palmer.
Their concerts are always an uplifting and joyful experience. Amy Johansen playing organ really added to the celebration of the life of St Cecilia.
A fairly young but accomplished string quartet named The Enigma Quartet presented the monthly Prelude in Tea concert at The Independent Theatre in North Sydney on a warm spring afternoon.
The eclectic mix of music in this concert was a good light hearted toe-tapping experience. Catch them if they appear in your glen.
The concert is intimate and personal. The blend of poetry and strings is a fine choice, as the attack of the keyboard reflects the accuracy of the chosen poetic words.
The Forest Collective is one to watch out for and I hope you are able to join them for future concerts.
Impressive concert for the brave choice of new music, excellent musicianship and dedication to bring it to life. Great Sydney has groups so enthusiastically dedicated to sharing new music.
Giving access to the world of new music. The exploratory nature of Ensemble Offspring is important to the future of music making, both generally and in Australia specifically.
Acacia Quartet approach music with humility and an invitation to the listener to engage. This is a great quality in a quartet. Long may it reign and have more of this brave programming and wonderful performance.
A balmy evening at Angel Place was a great setting for an appealing programme given by the well-credentialled Omega ensemble and titled “Three Parts Mozart”.
The production and the talents of the singers and the instrumentalists, all in all a well calculated and performed ‘hoot’!
The performance of the Second Symphony the ensemble produced a big sound for the space and is better suited to chamber music arrangement.
The Sydney Mozart Society has transformed smoothly to its new Chatswood venue and continues to present enticing programmes which include music by Amadeus himself.
What’s not to love about an hour of delightful C18th French music on a Sunday afternoon, followed by a glass of complimentary wine and the chance to schmooze with the musicians and fellow concert goers?
Sparkling Sydney Harbour on a beautiful Spring afternoon was a most appropriate backdrop. My first Omega Ensemble concert, made a most favourable impression.
In Callan Park, Song Company and Leichhardt Espresso Chorus explore the history of the iconic Inner West green space. A remarkable experience of musical storytelling.
Dramatic light with the orchestral unison passages supporting the drama. Showed the potential power in his voice, but this was never overdone.
Gordon Kerry’s Three Malouf Songs is a substantial new addition to the repertoire; draws the listener into a world where painterly text stirs Kerry to make music of equal imagination
An enjoyable and satisfying afternoon – the music and baking delights, and the drinks generously available to all post-concert while mingling with the musicians themselves.
After a long tiring week, it was a great pleasure to saunter down to the City Recital Hall with a friend and settle in a for a night of romantic music on period instruments. I had been warned to ‘not…
From the first chord Teije Hylkema held the audience’s attention with his commanding stage presence and sonorous and expressive performing.
An informal family-and-friends affair with the choreographer Ross Hutchison as the exuberant master of ceremonies. Brandman’s songs are characterised by sonorous tonal piano writing, lyric melodies and even phrasing.
Always deliver works I’m unlikely to have heard before (and probably never knew about). Thoughtful programming with a novel twist. Sunday was no exception.
The performance was of a consistently high standard and musicians maintained their focus and intensity throughout this diverse work
Australia Ensemble always fills me with high expectations of consummate musical performances and I was not disappointed. The concert was a joy.
Lemasson showed a good strong dark chest register in the opening recitative. The aria ranged across gentle ecstasy, again well controlled pianissimi, difficult roulades and a grand finish.
There were so many good points about this concert that it is hard to know what to point out over and above anything else.
What a fabulous program this concert was. Add wonderful performers and I could have died and gone to heaven.
Shines in this contemporary Australian music. Never a dull moment, my attention was riveted at all times. To be congratulated on a most engaging concert.
Beethoven’s Seventh Symphony is immensely enduring and, as such, very popular. This was my first encounter with the group. It won’t be my last!
A pleasant relaxing afternoon of music and the audience were treated to expert soloists complementing the fine orchestral playing.
The highly-anticipated night of firsts for AHE and they did not disappoint. First performance at the City Recital Hall and launch of their first CD.
Unity between the two treble instruments with many unison passages displaying a fusion of sound that I would not have believed possible between violin and clarinet.
Haydn Ensemble stands proudly shoulder to shoulder with the many period instrument ensembles found in Europe. We are lucky to have such a professional and vibrant ensemble in our midst.
The Mythra Ensemble takes it name from Mitra the god of friendship, and focuses on creating cultural unity through music, blending Turkish, Armenian, Iranian and Kurdish musics with a both traditional instruments