News, insights & Ambassador thoughts

WHAT WE'VE BEEN UP TO | This series, introduced in our classikON What's ON (subscribe here), shares our Ambassadors thoughts at this time. They are voices of the audience, with a range of knowledge and history with music, for some music is their life and others it is an escape from their life. Pepe writes...…

Elysian Fields’ latest offering Fika — The Scandinavian Project, is a celebration of culture, personal history and sharing together during times of isolation.  Formed in 2015, Elysian Fields are Jenny Eriksson (electric viola da gamba), Matt McMahon (piano), Matt Keegan (saxophone), Susie Bishop (voice & violin), Siebe Pogson (bass guitar) and Dave Goodman (drums). The…

...Alice Chance reimagines the choral experience Last week The Australian Music Centre released the first of 13 Peggy Glanville-Hicks commissions for 2020 - Until We Gather Again by Alice Chance  - an aleatoric, audiovisual work for scattered choir, created in collaboration with the Leichhardt Espresso Chorus (LEC) under the direction of Michelle Leonard OAM.  You…

WHAT WE'VE BEEN UP TO | This series, introduced in our classikON What's ON (subscribe here), shares our Ambassadors thoughts at this time. They are voices of the audience, with a range of knowledge and history with music, for some music is their life and others it is an escape from their life. Lliane writes...…

WHAT WE'VE BEEN UP TO | This series, introduced in our classikON What's ON (subscribe here), shares our Ambassadors thoughts at this time. They are voices of the audience, with a range of knowledge and history with music, for some music is their life and others it is an escape from their life. Pepe writes...…

…an engaging and interesting showcase of a selection of Australia’s emerging composers Sideband are a contemporary collective of composers, founded by Tristan Coelho, Brad Gill and Peter McNamara in 2011. Their aim is to develop and support the music of emerging Australian composers. Sideband collaborates with a wide range of chamber performers. Sideband have recently…

Whilst concert halls and theatres across Australia remain dark amidst the COVID-19 pandemic, newly formed experimental improvised music duo Sumn Conduit have released TRACK: a fifty-five minute composition conceived in real time in October 2019 at Carriageworks, Sydney as part of the Liveworks Festival of Experimental Art. The duo, consisting of Indigenous Australian improviser and experimental…

On a windy evening in Brisbane, I watch the last of the leaves fall off my pecan tree, when in a previous life I would have been at orchestra rehearsal. I put on a CD to wash away the COVID blues. Funk Engine’s Jazz-Funk blasts through my house. Sydney locals Funk Engine have just released…

WHAT WE’VE BEEN UP TO | This series, introduced in our classikON What’s ON (subscribe here), shares our Ambassadors thoughts at this time. They are voices of the audience, with a range of knowledge and history with music, for some music is their life and others it is an escape from their life. Alan Holley…

Throughout the month of May, Steel City Strings – an APRA Award-Winning string ensemble hailing from Wollongong, NSW – launched a fundraising campaign to keep the music going through the pandemic and help the orchestra stay alive to make it out of performance restrictions. In association with the Australian Cultural Fund, Creative Partnerships Australia and…

WHAT WE’VE BEEN UP TO | This series, introduced in our classikON What’s ON (subscribe here), shares our Ambassadors thoughts at this time. They are voices of the audience, with a range of knowledge and history with music, for some music is their life and others it is an escape from their life. Without a…

WHAT WE’VE BEEN UP TO | This series, introduced in our classikON What’s ON (subscribe here), shares our Ambassadors thoughts at this time. They are voices of the audience, with a range of knowledge and history with music, for some music is their life and others it is an escape from their life. I feel…

WHAT WE’VE BEEN UP TO | This series, introduced in our classikON What’s ON (subscribe here), shares our Ambassadors thoughts at this time. They are voices of the audience, with a range of knowledge and history with music, for some music is their life and others it is an escape from their life. For me,…

To musicians and music-lovers alike, the longing for live music to return is becoming overwhelming. Week after week I receive notifications from my Google Calendar of a concert I was to attend, a performance engagement I was supposed to have, a concert I was supposed to review, a choir rehearsal I was going to assist…

Let’s just start with the depressing bit and get it over with. This pandemic has hit the Arts sector hard. Actors, musicians, singers and the people that support them behind the scenes are really doing it tough. They were the first ones to lose their livelihoods and, given how hard they work together preparing for…

I wasn’t planning on writing about Sydney Chamber Choir’s Messiah last Saturday night, but now, almost a week later, a week after the government announced their advice that all events of more than 500 people were to be banned, a week of extraordinary happenings, of people I am close to losing their jobs, friends and…

The Café Culture Series is a new concept from the Independent Theatre, with the performance taking place amongst the arches and mirrors in their beautiful foyers, rather than inside the auditorium. We relaxed with delicious coffee (included in the ticket price) at tables that were separated (according to COVID-19 parameters) and enjoyed superb chamber music…

While the Australia Ensemble are by no means unknown, their concert on the 14th of March at UNSW’s Sir John Clancy Auditorium was a brilliant showcase of works not often heard at today’s chamber concerts. Centered around Beethoven’s ‘Storm’ String Quintet (Op.29, 1801) the audience were also treated to contemporary and romantic works by Australian…

On first hearing Mozart’s Piano Trio No.5 in C major, K.548 one would be surprised at its date of composition -1788- the same year as his majestic final three symphonies. He would play the late trio at the homes of friends rather than concert hall. The work has a spritely character which made it a…

In a small and quaintly repurposed venue in Newtown, Ensemble Offspring presented a one hour concert of miniatures written over the last hundred or so years from an exquisite performance of Alban Berg’s Vier Stucke Op.5 (1913) to local composer Peggy Polias. She was represented by her 2017 work Hive and five movements were performed,…

Lorelei Dowling is one of many Australian musicians who have created seriously impressive careers outside of her native land and one that proves that to have a major solo career, and one where you specialize in a branch of music that is not orchestral, you need to be in a densely populated environment and where…

Ensemble Trivium’s Purely Mozart concert was a journey into Mozart’s life and lasting influence. Held in heritage-listed Old Government House, with its oak-panelled doors, high ceilings and chandeliers, this intimate chamber concert was fit to welcome in the weekend. Ensemble Trivium is a collective of artists, performing chamber music centred around the flute. The ensemble…

When visiting art galleries across Europe one frequently comes across rooms full of commissioned military paintings: pompous men on horses or battle scenes on sea and land. While the painters may have significant technical skill, the subject matter often does not have any great emotional depth and so doesn’t really lend itself to great art.…

A recent recording release devoted to music of young Sydney composer Cameron Lam (b.1989) shows that the art of vocal writing is safe in the hands of the younger generation of Australian composers. At around 65 minutes The Art of Disappearing is a long composition and one where Cameron Lam shows great variety of emotional…

Forty established and emerging musicians from Sydney and Melbourne will unite to perform a 16-hour Music Marathon, to raise funds for the Country Fire Authority (CFA). The concert will feature a spectacular program of solo, duo and chamber music in a tribute to the relentless work of local firefighters and volunteer fire brigades in the…

It is truly extraordinary what happens when Sydney’s classical music community bands together. Within just a few weeks a committee of dedicated musicians and organisations created and presented a heartfelt and uplifting bushfire fundraiser concert, including a live broadcast by the ABC. Alongside many of Australia’s leading musicians, over 200 artists and 50 technical and…

On a pleasant Tuesday evening just over a week before Christmas, River City Voices, a choral group from western Sydney in its inaugural year, joined forces with members of the Sydney Philharmonia Choirs and an orchestra comprised of many current and former members of the esteemed Sydney Symphony Orchestra, Australian Brandenburg Orchestra, and Australian Haydn…

Wondering what festivals are on in Australia in 2020? We’ve tracked down 50. A festival at a winery, city or regional town? All inclusive or flexibility to pick and choose? All arts, music, period, an instrument? You’re covered in this list. January NSW | Sydney | Sydney Festival | “The first Festival took place in…

December 1, 2019, “A Boy Was Born”.  What better way to ring in the festive season than with a bit of Britten? Last Sunday I was fortunate enough to sing in the final concert of Bel a cappella’s 2019 program, presenting this epic work (which I should point out was written by Britten at the…

November marked the 30th and final Huntington Estate Music Festival. It had become interwoven with so many parts of my life. My first festival was in 2007, when I was 33. I was terrified before that festival. The main theme going through my mind, after “what do you wear?”, was “will I be able to…

First Session, Beethoven Violin Concerto, Op. 61 in 3 movements Alexandre Da Costa strode on stage and took up his position, with an understated Rockstar vibe, standing before the audience resplendent in a subtly sparkling black coat and tie. He held his Stradivarius gently, presenting it face-out towards the audience as though it were a…

Going to concerts usually involve some meticulous planning on my part. But this time, I was familiar with the venue of the Bach Akademie Concert: Christ Church St Laurence. I also know how much work had been done during its refurbishment. The result is a vibrant venue with gorgeous architectural details and a warm acoustic.…

As a sizeable audience took their places in the pews of Edmund Blackett’s Gothic Revival church of St. Paul’s Anglican in Burwood, a sole rousing drum marked the opening of this final concert for Consort 8 in 2019. Appropriately, the program featured music for Advent and Christmas from the haunting 15th-century song of the nuns…

It is really refreshing to attend an event featuring an amateur orchestra and choir performing with proceeds going to Indigenous education, and doubly so when the work chosen is none less than Beethoven’s 9th Symphony, a massive undertaking even for full time musicians. Peter Ellis hails from Yorkshire and studied at Birmingham and London before making…

There is always an air of anticipation when the Seraphim Trio visits North Sydney’s charming Independent Theatre, but this concert came with added expectations, as they were to be joined by guest violist, Martin Alexander. Over the pre-concert refreshments provided at the Independent’s signature ‘Prelude in Tea’ series, there was talk of what this inclusion…

On a cool overcast Sunday afternoon in Sydney, the Australian Haydn Ensemble, a leading period instrument group established in 2012, gave its final concert for 2019 under the guest directorship of well-known Baroque violinist, Midori Seiler, one of four sisters who are all professional string players. The concert began with Mozart’s Symphony No. 33 in…

In the recently restored and now even more exquisite Christ Church St Laurence, the Australian Chamber Choir presented Keys to Heaven, a concert of music dating from the late 1400’s through to about 1640. The sumptuous sound of one of Australia’s leading vocal ensembles in this visually delightful church transported the enthusiastic audience to another…

The Melbourne Musicians concert at MLC’s James Tatoulis Auditorium showcased an outstanding line up of local talents in a unique concerto extravaganza. Led by Artistic Director, Frank U. Pam, the chamber orchestra is laudable in its focus on providing a platform for local talents to further their performing careers. Leading Australian oboist Anne Gilby opened…

Ahead of Bach Akademie Australia’s final concerts for the year, classikON spoke to the ensemble’s Founder and Artistic Director, Australian violinist Madeleine Easton, about the group’s inception, the ‘Comfort and Joy’ Bach’s music brings (particularly at Christmas-time), and why you shouldn’t overthink Bach (if you don’t want to!). classikON: You’ve spent much of your career…

The full house at the Independent Theatre indicated that an enthusiastic crowd knew it would be a great idea to see The Idea of North in North Sydney this sunny Sunday afternoon. After coffee and cake in the foyer, we were treated to an “afternoon tea” on stage with The Idea of North singing an…

Warning: This report contains unashamedly gushing commentary.  If you like your reviews critical and scathing I would advise you to read no further. Sydney Chamber Choir is a truly excellent vocal ensemble. In a recent interview with Limelight magazine, Artistic Director Sam Allchurch described his experience in this his first year with the choir as…

Ensemble Trivium’s French Revelations concert was the perfect way to unwind on a Friday evening. Heritage-listed Old Government House, Brisbane, with its oak-panelled doors, high ceilings and chandeliers, was an intimate setting for chamber music. Ensemble Trivium is a collective of Brisbane chamber musicians, performing chamber music centred around the flute. The ensemble on Friday…

This is an interesting report for me to write because I suspect many of you have heard some Beethoven before now, and probably also heard Kathryn Selby and her Selby & Friends tours. Furthermore if you’re reading this on classikON, you’ve hopefully also read Phillipa’s excellent interview with Kathryn covering the themes and rich backstory of…

Perched on the Kangaroo Point cliffs, and overlooking the glinting sailboats on the Brisbane River, St Mary’s Anglican Church was a delightful setting for an afternoon soirée. Soirées Musicales Quintette: Endings and Beginnings was held on Sunday, with the setting sun pouring in through the stained-glass windows. Formed in 2015, Soirées Musicales Quintette is an…

As a celebratory segue to the 250th Anniversary of Beethoven‘s birth in 2020, the final Willoughby Symphony Orchestra concert for 2019 began with the instantly recognisable Egmont Overture, Op. 84. Beethoven was commissioned to compose incidental music to Goethe’s heroic play, Egmont, in 1810. From the opening majestic chords, the orchestra, ably led by concertmaster Maria…

The Australian pianist Dr Sarah Grunstein has had an illustrious international career both as a performer and educator. She has two degrees from the Juilliard School in New York and held a teaching fellowship there for four years. We arrived early so had plenty of time to read the program for this piano recital. The…

We were privileged to be guests of the Enigma Quartet at Chatswood on a balmy Spring evening. The Quartet took shape under the Musica Viva “Rising Stars” program in 2012 and has gone ahead in leaps and bounds since. First violinist Marianne Edwards graduated with a PhD from Sydney University and is Associate Principal Second…

Ahead of Selby and Friends’ 2019 season finale tour, Beethoven’s Back, classikON’s Phillipa spoke to Kathryn Selby about the enduring appeal of Beethoven, his compositional genius, and the tour’s special guests –  Sydney Symphony Orchestra Concertmaster Andrew Haveron, and rising star cellist, Australian Richard Narroway. classikON: Beethoven’s Back is an all-Beethoven program. Beethoven’s popularity continues to…

The afternoon of Sunday the 20th October saw the Bachian triumvirate – if I may so call them – of Johann Sebastian and his sons Carl Philipp Emanuel and Wilhelm Friedemann honoured through a performance of six pieces for harpsichord and flute, both duet and solo. The programme promised something a little bit different, something fresh…

Sydney Town Hall was absolutely packed to the rafters on Friday night and the excitement was palpable, as the crowd eventually found their seats and settled in for what promised to be a terrific night of music presented by The Sydney Conservatorium of Music. I, like most others I imagine, was there primarily to hear…

Evergreen Ensemble’s evening performance in the beautiful, intimate setting of the Melbourne Recital Centre’s Primrose Potter Salon was both an aural and visual treat. In a program of early music and Scottish tunes which rarely surface in the modern music scene, sounds of wildlife were brought to life with a combination of dynamic expressivity, instrumental…

The song cycle “Daughters” (composer: David Chisholm, librettist and narrator: Tammy Brennan) is an Australian/ Indian opera project and will premiere in New Delhi in January. The basis of the text is the violence in its multitudinous forms that has always been, and continues to be, perpetrated on women and girls. Musically this poses some…

It was with a mixture of joy and sadness that I entered the Independent Theatre in North Sydney on Saturday afternoon to hear Susannah Lawergren and Bradley Gilchrist perform the latest SongCo SOLO, Schubert’s Winterreise. Joy because Winterreise is a masterful work and any opportunity to hear it performed is exciting, and sadness because after eight years…

The concert in the visually delightful Melbourne Recital Centre Primrose Potter Salon by the piano trio Strelitzia showcased music by four women composers. This venue tends to emphasise bass sonorities but with violinist Lucy Warren leading there was never a doubt that the higher lines would be heard. Warren gave a singular demonstration that she…

The Utzon Room was filled to capacity when Sarah Grunstein introduced the sonatas she would perform in her recital this warm Thursday evening. She explained how Beethoven’s Sonata No.15 in D Major, Op.28 was the last piano sonata he wrote using the classic four-movement structure. Named “Pastorale” by one of Beethoven’s early publishers, the title is mostly…

Ahead of Halcyon’s concert, In Nature, on Saturday 12th October, classikON’s Phillipa spoke to Halcyon’s Artistic Director, co-founder and mezzo-soprano, Jenny Duck-Chong about nature and poetry as artistic inspiration, the importance of supporting new music, and the unique soundscapes In Nature will evoke. classikON: Why do you think it is that composers throughout history, and still today, turn…

If there was a star-spangled concert in Sydney’s Early Music scene, this would be it. Madeleine Easton, Neal Peres da Costa, Mikaela Oberg, Alicia Crossley and Aaron Reichelt represented the best in their chosen instruments and they didn’t disappoint. What really struck me was how tightly the ensemble played – from the get-go to the…

“Once upon a time, on the edge of a great forest, there lived a very poor woodcutter with his wife and his two children, Hansel and Gretel…” What better way to begin a long weekend than inside a fairy tale! Eat, relax, and fully immerse yourself After delicious quick meal at a favourite local eatery, Joe’s Table in…

Ahead of Leichhardt Espresso Chorus’s 21st birthday celebration, Messiah Reimagined, classikON’s Phillipa spoke to the group’s founder and Artistic Director, Michelle Leonard OAM, about her vision for the 2019 transformation of the Messiah, the composers’ design brief, and the power of arts organisations to facilitate conversations about contemporary issues facing Australia. The Leichhardt Espresso Chorus describe…

After a picnic lunch in the sunny Botanic Gardens, it was only a small step in the imagination to be transported to an eighteenth-century garden to listen to Scarlatti’s Concerto Grosso No. 3 from Six concerti in seven parts, which opened the Australian Haydn Ensemble’s fourth concert series, Delirious Love. Written in a major key…

A packed hall at Chatswood Concourse welcomed violinist Sophie Rowell and pianist Kristian Chong, who are no strangers to the Sydney Mozart Society. Sophie won the ABC Young Performers Award in 2000 which gave her the opportunity to play as soloist with the major Australian orchestras. She then founded the Tankstream Quartet which won many…

It was with a light heart and high expectations that I boarded the Saturday morning ferry towards Cockatoo Island for the 2019 Bel a cappella Come and Sing Project. My expectations were high because this was the second such project I had participated in with Bel, the first being a three-hour rehearsal of Thomas Tallis’s…

Netsuke and Inrō was a splendid fusion of noh and kabuki theatre traditions with Italian opera, which carefully selected from each while never being confused about what it was trying to achieve at any given moment. The setup was simple: a small, low stage backed by Shōji and containing the accoutrements of a teahouse; the only…

Before the music started at this Australia Ensemble concert, Dene Olding gave thanks to the late Justice Jane Mathews for all her support to music in Sydney and that the evening’s music was dedicated to her memory. Jane loved attending concerts and mixing with the musicians. She was also a fan of Richard Wagner’s The…

When I volunteered to write about The Song Company’s Mind Over Matter, I had absolutely no idea what to expect. Billed as “a zany musical comedy surrounded by vocal arrangements of 1980s pop hits”, the only thing I was sure of was that my companion and I were in for a unique experience! Upon entering…

Kenny Broberg is rapidly becoming a notable figure in the piano world. In 2016, he was a Grand Finalist in the Sydney International Piano Competition. The following year, he won the Silver Medal at the Van Cliburn competition in Fort Worth Texas, and in 2019 he won Third Prize at the International Tchaikovsky Competition in…

With an impressive list of awards, prizes and accolades to her name, I expected great things from Ayşe Göknur Shanal and I was not disappointed. Also the program was much anticipated; it featured my favourite song cycles by Robert Schumann, Frauenliebe und -Leben (Women’s lives and loves) and Dichterliebe (Poet’s love), as well as the Op. 13 songs of…

The final concert of the inaugural week-long Eastside Sydney Music Festival (ESMF), curated by Professor Neal Pere da Costa and supported by Sydney University, was an all-Baroque affair held at the Paddington Town Hall. It featured musicians from three groups – Ironwood, The Australian Haydn Ensemble, and The Muffat Collective – all renowned for their…

Elena Kats-Chernin’s Blue Silence for Piano Trio must be one of the most stunning introductory pieces to a recital. Written in 2006 for her son suffering from schizophrenia, the piece is an exquisite journey into meditation and peace. I defy anyone to listen live to this soundscape that calls up oceans and deep meditative colours and…

The rain momentarily eased in time to celebrate the opening concert of the inaugural Eastside Sydney Music Festival. Featuring Ironwood at the Paddington Town Hall, this was the first of 10 musical events in interesting venues around Paddington, to be performed in less than a week. Neal Peres Da Costa, the Artistic Director, and also…

Located in the inner-city suburb of Brunswick, Tempo Rubato is Melbourne’s newest and hottest destination for live classical music! Although the venue and bar only opened its doors on the 2nd of June, it has already garnered the attention of audiences and dogs alike (more on that later!). classikON’s Phillipa recently spoke to Tempo Rubato’s Georgina…

The newly refurbished foyer of the Sir John Clancy Auditorium provided a welcoming grand entrance for the Australia Ensemble’s fourth subscription concert of 2019, Cool Fire. The concert was themed around contrasts not only within the works themselves (especially the piece by Paul Moravec, from which the concert takes its title), but also with the…

The Australian Romantic and Classical Orchestra made its first, and very welcome, visit to Newcastle on the evening of Saturday 17th August, bringing its touring program entitled ‘New Constellations’ to the highly successful 2019 Newcastle Music Festival. Co-founder and clarinettist Nicole van Bruggen’s introductory talk outlined the history of the group, which grew from the suggestion…

Selby and Friends’ upcoming tour, The Game Changers, will “explore composers whose influence made a significant impact upon the world of classical music”, with Kathryn Selby joining forces with Australian violinist Susie Park and cellist Julian Smiles to perform “a moving homage to those whose vision was far ahead of their time”. The thread of…

Set in the heart of the quaint town of Bangalow, Northern New South Wales, the A&I hall was an intimate venue for chamber music. Locals flock each year to attend the Bangalow Music Festival, an important event for their community. Bangalow Music Festival, presented by Southern Cross Soloists, is now in its 18th year. The…

It has been about 30 years since I have heard the Australian Youth Orchestra (AYO). The maximum age of orchestra members is 25 years so that is longer than any of the present musicians have been alive! The program was interesting and ambitious so I was intrigued. I expected a good concert but we got…

The 2019 Newcastle Music Festival is officially underway! classikON sat down with the Festival’s Co-Artistic Directors, Ross Fiddes and Dr. David Banney to find out why the Festival is well worth attending (hint: the answer involves “great locations, beautiful city surroundings, and extraordinary performances”). Now in its 4th year, the annual Newcastle Music Festival has…

Entering the beautiful Cardinal Cerretti Memorial Chapel in the heights above Manly suitably prepared me for an afternoon of soaring voices and close harmonies from Bel a cappella. They began with their backs to the audience, singing John Cage’s ear for EAR (antiphonies), in antiphonal style, without the conductor. Solo tenor, Ben Mullaney, sang a…

Every programme given by the Sydney Mozart Society is carefully thought out in collaboration with the artists. Whether intentional or not, Friday night’s concert was notable for featuring music which to most listeners was to some extent unfamiliar. The performing artists, the Sydney Soloists, were probably more familiar to many in the audience and the…

Unfortunately it’s not often that you see concert programmes combining the spoken word with live music, but in regards to the life and music of Shostakovich, it seems only natural. A composer who often felt the full effects of Stalinist rule, his life and music were so deeply intertwined that it would seem impossible to…

There can scarcely be a piece of music about which more has been written and postulated than Elgar’s Enigma Variations, which gave the title to Sunday afternoon’s concert by the Willoughby Symphony Orchestra. Like so many famous works, it came about by serendipity as Elgar was experimenting on the piano when his wife arrived home…

On Saturday 20th July, the Jacobean Singers performed Purcell for a loyal audience in Vaucluse. The peaceful St Michael’s Anglican Church was a beautiful venue for the performance. The Jacobean singers is an established group of predominantly older singers with a loyal audience of locals who came to support them. My own reason for coming…

Due to unforeseen circumstances, I couldn’t make it to the Sydney Opera House Concert Hall. However, thanks to the ABC Classic media partner, I was still able to listen to this fantastic concert, with the benefit of commentaries by Vanessa Hughes which brought the choirs to life. The inaugural Gondwana World Choral Festival has been…

The Paddington Uniting Church provided the beautiful venue for Ironwood’s concert Prussian Frogs and Bohemian Princes. It was a cold night, and after extensive warming up of their period instruments, the members of Ironwood performed Haydn’s String Quartet Opus 50 No.6 in D Major, dedicated to the Prussian King Frederick William II. It was nicknamed…

Stepping into the warmth and intimacy of Old Government house was a relief from the brisk Brisbane night. With its rich, oak panelled doors, archways, high ceilings and chandeliers, it was a fitting venue for Soirées Musicales Quintette: A Governor’s Invitational Soirée. The concert showcased Romantic music from a unique Brisbane perspective. Formed in 2015,…

Thoroughbass presented once again a well thought through program of chamber music in their Bach in Three, which contrasted the work of the three biggest names in the Bach Family – Johann Sebastian (JS), Carl Philipp Emanuel (CPE) and Johann Christian (JC). The venue, Mosman Gallery, was perfect for such a performance – intimate and…

Queensland Baroque: Radiance shone brightly through a drizzly Brisbane afternoon on Sunday. The concert took listeners on a musical journey, rediscovering the Baroque period. The lush melodies radiated through the historic church, as the sunlight struggled through the stained-glass windows. Queensland Baroque was founded in 2018 as an orchestra for Baroque lovers with period-style instruments.…

On a winter’s afternoon there is only one thing better than sitting by a sunny window with coffee and cake, anticipating a concert by the Seraphim Trio – the concert itself! Entitled Memories, the Prelude in Tea concert at the Independent Theatre in North Sydney began with Czech composer Josef Suk’s Elegie. The Seraphim Trio…

Ahead of Thoroughbass’s performances of Claude Debussy’s The Toybox at the Riverside Theatre in Parramatta, classikON spoke to the group’s Director, Diana Weston. Thoroughbass is “an early music ensemble on an odyssey”, whose “mission is to uncover the unusual, the recently re-discovered, and to see familiar things in a new light” – their “quest is…

On Friday June 21st, 2019, Twilight Musical Dialogues hosted the first instalment of “Musical Kin”; a musical festivity of family in all its incarnations. With an eclectic program of works by Wolfgang Amadeus Mozart, Leopold Mozart, Ami Williamson, Fanny Mendelssohn, Felix Mendelssohn, Clara Schumann, Robert Schumann, Carla Bley, Wilhelm Friedemann Bach, Johann Sebastian Bach and…

I was pleased when the UNSW Winter Gala was moved from the Sir John Clancy Auditorium to the more intimate Tyree Room at the Scientia Building. This made for a convivial, cosy atmosphere, as rugged-up enthusiasts had the pleasure of being musically entranced by Sara Macliver and Ian Munro. One could immediately feel the collaboration…

Highland ceilidh, Regency quadrilles and Victorian parlour songs, the Evergreen Ensemble and partners’ programme, Curious Caledonians, draws on the collections of songbooks and sheet music housed in the Sydney Living Museums and the State Library of NSW. They were handwritten copies brought by Scottish immigrants to Australia. The magnificent Elizabeth Bay House made an apt…

Just before the long weekend that celebrates Queen Elizabeth II’s birthday, Sydney Chamber Choir put its Kings and Queens in a row with a concert exploring composers with the Royal seal of approval. On a dark and wintry Sydney night, we were as if transported to a substitute London’s Westminster Abbey with ‘A Royal Affair’…

On Sunday June 2, the Australian Haydn Ensemble performed an interesting program with a “French Twist” at the Independent Theatre in North Sydney. This included works with a French connection by Mozart and Haydn, paired with works by little known and rarely performed composers Jadin and Devienne, plus the more well-known Rameau, whose Cinquième Concert…

In the lead-up to Sydney Chamber Choir’s concert this Saturday, 1st June, classikON chatted with one of the choir’s singers, Ria Andriani, who is preparing for this ambitious concert which showcases masterworks from two Masters of the Queen’s Music – including Australia’s Malcolm Williamson – plus two of Handel’s grandest royal works. Ria, a graduate…

The latest Sydney Mozart Society concert was cleverly timed to coincide with the opening of Vivid Chatswood but, fortunately, although the visual aspect was welcoming, we were insulated from the sound effects. On this occasion, Kathryn Selby continued her well-established friendship with the Society, aided by two distinguished musicians. Andrew Haveron was born in London…

Explore the fascinating world of opera with popular opera lecturer Murray Dahm. Since 2003, Opera Bites Co-Founder Murray Dahm has delivered accessible, friendly and informative lectures, drawing on its history, culture and music. Join him as he explores a variety of areas of operatic history from composers and voice types through to genres and quirky…

What a gift to the people of Melbourne – a free performance on Sunday 21st April by The Scots’ Church Choir and the Melbourne Chamber Orchestra of one of the masterpieces of the Baroque era – J.S. Bach’s Mass in B Minor – and superbly performed too. Composed over a long time and assembled at…

On Saturday 20th April 2019, Dr. Danaë Killian gave a short piano recital which included fine performances of Mozart and Liszt and she championed the music of four composers of her city. From a star afar, a 2-minute miniature by Eve Duncan charms with its simplicity and elegance of form whilst Evan Lawson’s far more…

Willoughby Symphony Orchestra is proud to present the world première of Kate Moore’s Piano Concerto, commissioned by the Willoughby Symphony Orchestra. The concert, entitled Pastoral, is also a part of Vivid Sydney’s 2019 program in Chatswood. Ahead of the première, Kate Moore shares how it came to be that she is Willoughby Symphony Orchestra’s 2019 Composer-In-Residence,…

Launching from a supremely successful inaugural composer workshop in 2016, Flinders Quartet’s (FQ) Composer Development Program is now an annual event, the quartet has invited six emerging composers from across Australia to participate in the 2019 program: Oliver Beard, NSW Joseph Franklin, NSW Timothy Franklin, VIC Simon Kruit, WA Natalie Nicolas, NSW Chloe Sinclair, NSW…

Concerts featuring Josie and the Emeralds are always a delight and this was no exception. Entitled ‘Fantasy’ and held in Glebe Town Hall on Friday 26th April, a crowd of regular devotees and many new faces were treated to Fantasias and fantasy-inspired music composed for viols and voice. Brooke Green, as founder and Director of…

Disclaimer: The St John Passion by J.S. Bach is my favourite work of all time. I am in love with this composition. At nigh on 2 hours of music the St John Passion is a journey with the greatest composer of the Baroque times – some would say ever – into a time and place…

Problems with light rail construction and venue renovations, as well as the Sydney Swans playing a home match at the SCG, meant that reaching the Sir John Clancy Auditorium at the University of New South Wales on Saturday was problematic. It took very little time, however, to realise that the effort was worthwhile with a…

Coro Austral is a group of 13 (mostly) unaccompanied voices under the direction of Margot McLaughlin. In this concert they presented mainly Spanish music with some French and Australian for good measure. The first half of the concert focussed on pieces to do with war. The French Renaissance composer Clément Janequin’s La Guerre (La bataille…

The heart and the alternate reality In an inspiring Sunday afternoon at The Concourse, the epic ferocity of a symphony orchestra in full flight, a passionate and instinctive cello soloist and a magnetic contemporary choral requiem were brought to life by Willoughby Symphony and Choir, conducted by Michelle Leonard OAM. The Eternity concert took the…

Why is it that the sound of the Goldner String Quartet is so distinctive? Certainly there is their perfect timing and intonation but there is more than that. I feel sure that I could pick their playing from ten recordings of top quartets just as 80 years ago one could identify the Amadeus quartet even…

It’s that time of the year when concerts abound around Sydney in the countdown to Easter Sunday, many of them featuring major works by JS Bach. Consort 8’s first performance of the year, timed with the end of the Lenten Season, provided a rather nice change of pace and focus, although there was one Bach piece…

Sam Allchurch took his audience to heart and taught them a thing or two about singing in his first subscription concert as Music Director for Sydney Chamber Choir in 2019. Music on Music was billed as a celebration of singing as an artform, and the ‘feeling of joy that only singing can give,’ and it certainly…

Rarely do I hear a new work that is so strong and meaningful and as full of so many delights as Andrián Pertout’s monumental piano work Luz Meridional. This is singularly one of the most important piano compositions ever written by an Australian composer. For me it ranks with the best works of Larry Sitsky…

In the lead-up to accomplished young conductor Sam Allchurch making his debut as Music Director of Sydney Chamber Choir this Saturday, March 30th, classikON chatted with him about his pathway to conducting, programming music about music, inclusivity in classical music, and the difference between a choral concert and a poetry recital. classikON: The Sydney Chamber…

Sydney Youth Orchestras comprises no less than fourteen orchestras embracing ages from 6 to 25 years, with students progressing with experience and being directed to areas to suit their individual talents. They have provided this essential function in New South Wales for 26 years. To start proceedings in the Verbrugghen Hall on a lively note,…

What a transformation there has been in the Ku-ring-Gai Philharmonic Orchestra. Gone are the creaky strings and hesitant woodwind entries resulting in an efficient and accurate unit. Perhaps its new principal home in the expanse of Chatswood Concourse has helped in this. Conductor Paul Terracini has been in charge for eighteen months and much of…

It’s hardly necessary to say that the Sydney Mozart Society, now in its sixty-ninth year, produced another recital of the highest quality. The Australia Piano Quartet is now in its eighth year as Resident Ensemble at Sydney’s University of Technology where it has focused largely on contemporary Australian composers and has worked with the School of Software…

Brisbane’s Poinciana trees are bursting with vibrant red flowers, showering footpaths, rooftops, roads, and parked cars with flamelike petals. A perfect afternoon for listening to Elysian Fields. What Should I Say is the first CD to be released by classical jazz fusion ensemble, Elysian Fields. Elysian Fields is Australia’s only band featuring an electric viola da gamba. Its founder, Jenny Eriksson,…

Oliver Fartach-Naini’s newest release, Suite Latina, is his first solo album in a recording career that spans over twenty years. A prolific chamber musician, Fartach-Naini’s discography includes recordings of Schubert’s Winterreise for two guitars and viola (Winter Journey), folk songs from around the world (Canto Antigo), works composed for his guitar duo with Lee Song-Ou…

Under the guest direction of Pinchgut Opera’s Erin Helyard, the AHE positively shone. This was the best performance I have seen from them. Helyard played the piano solos on the program, as well as the continuo, on a magnificent period fortepiano; a replica of an instrument by the famous late 18th Century Viennese maker Anton…

This being my first time in this venue I was delighted to experience their still fairly new, state of the art performing arts centre which seats 850 and a stage big enough for a large orchestra and choir. In addition there is a very impressive organ of 40 independent stops and a front of open…

Richard Gill was an immensely popular conductor and musical educator and the Sydney Youth Orchestra dedicated the last concert in this year’s cycle to him. The concert had another dedicatee, namely Richard Strauss who is generally agreed to be an important link between 19th century romantic composers such as Liszt and Berlioz and 20th century…

Christina Henson is nothing if not versatile, having trained in both opera and medicine, and she produced a show to wake up sleepy Avoca on a Friday night. Avoca Beach Theatre is a beautifully situated Boutique Picture House and plans for it to be replaced by a multiplex will hopefully be shelved. The show was…

For Halcyon, their last concert for 2018 could be considered something of a landmark for the vocal chamber group. Formed in 1998 by mezzo-soprano Jenny Duck-Chong and soprano Alison Morgan, the ensemble has been a leading light in the fostering of new Australian art music, especially for voice. With Duck-Chong now at the helm as…

We did a Q&A earlier in the year about how Halcyon is celebrating 20 years. This Saturday 1st December, you’re doing your last concert in your birthday year. In this concert you’re reflecting on the world around us and works significant to you as a group. classikON: Looking back over 20 years, it must be…

The CD is named after the longest work on the recording, Elliott Hughes’ Despite Our Silent Elders. At just under 16 minutes this straightforward composition allows the stellar talents of Joel Brennan, trumpet, trombonist Don Immel and guitarist Ken Murray to enchant the listener with gorgeous tone and immaculate intonation. These three musicians are a…

Johann Adolph Hasse’s 1730 opera Artaserse was very famous in its day, but it has rarely been performed since 1760 and certainly not in Australia. A number of things are immediately obvious in a discussion with the key creatives of this project. They are extremely proud to be involved in the opera’s resurrection. They are…

How exciting it must have been to be a music lover in Vienna in the early nineteenth century. If you had grown tired of Hummel and even the innovative but ageing Haydn, and were lamenting the premature death of the brilliant Mozart, you had the revolutionary rise of a young Beethoven to assess. On 22nd…

This recently released CD of Australian works is a pleasing addition to the recorded repertoire of local composers and is testament to the skills of the multi-talented and virtuosic performers Alicia Crossley and Joshua Hill. Blockstix Duo display not only wonderful technique and musicianship but the project itself shows them to be great supporters of…

On 9 November 2018, an appreciative audience gathered at Old Government House to experience a recreation of a concert held in exactly the same location on the same date 112 years before, in 1906. The original concert celebrated King Edward VII’s birthday, and the version presented by Soirées Musicales Quintette replicated the original program faithfully.…

As the Brisbane heatwave sets in like thick soup, an afternoon of lying under the fan, listening to music is a welcome reprieve. The volume knob has to keep being turned up, so the speakers can compete with the beats of reversing bobcats next-door. Hopefully, the builders are receptive to experimental, big-band jazz. Ellen Kirkwood’s…

I have a problem. I’ve heard the Willoughby Symphony Orchestra play now on five occasions and keep waiting for a wrong note, an error in tempo, or creakiness in the strings but they just don’t occur. Is there a better council funded orchestra in the world I ask myself? Of course the orchestra is made…

Situated in lovely Mosman, “Bach’s Gamba Sonatas” presented by Thoroughbass displayed the depth and complexity of the music written for the viola da gamba and harpsichord spanning two generations. With nuanced interpretations and a rich command of each instrument, Througbass’s Sunday afternoon concert in the Mosman Art Gallery allowed the audience an insight into music,…

On a stormy Melbourne evening the Flinders Quartet gathered at a familiar venue, fortyfivedownstairs, for their 2019 season launch. The quartet played at the launch of the venue back in 2002, so it was only fitting it was used as the place to launch their upcoming 2019 season. For almost 20 years the Flinders Quartet…

‘Snow is Summer’ pays homage to the windswept landscapes and islands of Scotland. The program drew together music from folk and art music traditions, moving between hauntingly beautiful melodies, toe tapping folk tunes and a contemporary Australian commission. The instrumentation of the group provided many colours. Based around period instruments such as baroque violin, viola…

At 8pm on a rainy Friday evening in Chatswood’s Concourse Concert Hall, four of the country’s most respected musicians took the stage as the Australian String Quartet. The ASQ is something of an institution within the Australian classical music scene, performing in various formations for over 30 years. In addition to their rigorous touring schedule,…

In the historic Montsalvat in the hills just out of Melbourne two concerts of 19 new works were presented by the Melbourne Composers’ League in just one day. The MCL is a rarity in Australia – a group of composers who band together to present new music with a focus on composers from Victoria. Appropriate…

It was such a treat to attend the sell-out performance of “Where Song Began” – a musical celebration of Australia’s birds and how they shaped the world – held in the atmospheric wood panelled room at Cottesloe Civic Centre, in Perth. While the music captivated me the room was unexpected. It reminded me of Tudor…

The grey haze of clouds hangs over Brisbane. I watch the sky in distrust, waiting. I walk on dull, dead grass, and watch the angling, fat crows. An hour’s train ride, and then I’m home to my back yard, to its sagging pawpaw tree, failed veggie patch, and red, red dust. The geckoes are hungry.…

It would be difficult to imagine a more suitable backdrop for a piano recital than the Utzon room at the Sydney Opera House with a gradual change from a James Jackson painting to a vivid night sky and sea transport of various kinds taking a look in. If only they could have heard the music,…

River City Voices is a not-for-profit auditioned “symphonic” style choir based in Parramatta, western Sydney. They will perform large scale classical and contemporary choral works under the artistic direction of Sarah Penicka-Smith. Aiming to become integral and permanent players in the diverse musical landscape of western Sydney through exemplary choral performances that reflect, engage and…

In the impressive Grand Court at the Art Gallery of NSW the Australian Chamber Choir presented one of the finest concerts in Sydney this year. Their perfectly chosen program ranged from the early baroque to music from our time and all had romantic or emotional intent. Audible gasps of delight occurred from audience members on…

As we take our seats and open up the program for The Song Company’s Four-Colour-Season concert at Darling Quarter we are immediately hurled into confusion. What’s this? There are song names and word extracts and names of seasons and months swimming in front of us in circles. What will come first? How will we know…

With a program featuring a composer known as the “Spanish Mozart”, it should seem fitting that Ironwood’s 3rd concert in this year’s season was accompanied by a beautifully warm evening at the Sydney Conservatorium of Music. Ironwood is a period-instrument ensemble established in 2006 that explore not only historically informed performances of late-Renaissance works, but…

On Saturday afternoon if you happened to be wandering through Sydney’s Queen Victoria Building you may have been somewhat astounded when instead of the usual bland piped elevator music, the sound of 80 voices singing 16th century anthems and motets soared over the weary shoppers and latte sippers. This was the culmination of Bel a…

When is an encore not an encore? When it starts the programme, as Nicholas Milton explained after the orchestra had began unexpectedly with the “Trepak” from Tchaikovsky’s Nutcracker suite. No one would be in the mood for an encore after the Pathetique symphony so let’s have one now – and a second time for luck!…

Probably the most welcome rainstorm in Sydney history put the Chatswood audience, which included eminent patrons Lauris Elms and Donald Hazlewood, in a relaxed mood for the latest concert by Sydney Mozart Society with The Australian Haydn Ensemble, were very welcome debutants to this series, well known for playing on period instruments. Simone Slattery hails…

Recording the Mozart Flute Concertos is a bold move. Every professional flutist knows these works and they are the most commonly requested concerto for any professional orchestral audition. Likewise, they have been recorded superbly many times. Rampal and Nicolet gave us classic recordings in the 1960s. Jump forward to 2002 and Patrick Gallois pushes the…

I wonder what effect the title of Selby and Friends’ latest concert “Troubled Souls” had on readers? It certainly didn’t apply to the performers who clearly enjoyed the occasion immensely. They were; Julian Smiles well-known to all as, among others, the cellist of the Goldner quartet, Natalie Chee, who is concertmaster violinist for the Stuttgart…

With all the discordant noise coming out of Canberra these days, not to mention natural disasters around the world, an evening where one can push all this out of the conscious mind and sink into some ‘joyful noyse’ was most welcome. A crowd of faithful Consort 8 followers as well as first-timers turned up at…

As a winter wind whipped through Brisbane swirling leaves and dust, Saint Mary’s Anglican Church in Kangaroo Point provided a serene backdrop to a charming performance by Soirées Musicales Quintette. Founded in 2015, the Brisbane-based ensemble enhances the romantic classical musical experience by performing in heritage venues wherever possible. The five members are sopranos Annie…

Birthday invitations are not to be sneezed at and it was a privilege to be part of a celebration of Ross Edwards’ seventy fifth year at City Recital Hall. He is probably Australia’s best known contemporary composer with Peter Sculthorpe no longer with us and has continued the tradition of invoking sounds of native Australia,…

This was the second in Bel a cappella’s annual season and I was lucky enough to hear the first. Running since 1995, they have set high standards for an amateur group throughout. Sunday’s concert was held in the Catholic Church of St Augustine in Balmain, a sublimely beautiful venue for a concert titled “Salve Regina”…

Two Australian composers were featured in the Flinders Quartet concert at Independent Theatre more as arrangers than presenting new music but highly successful nonetheless. Calvin Bowman’s The Curly Pyjama Letters with text by Michael Leunig presents 7 whimsical snippets from Leunig spoken over music basically from earlier eras of music history. The writing for the…

Hi Lachlan! Tell us a little about the project. I am currently working on the launch of my new record label, Worlds Within Worlds, which will be focusing on classical, traditional and fusion world music. Our first release centres on the Tehran-born tar player, Hamed Sadeghi and his group, the Eishan Ensemble. The group creates…

There are so many wonderful things about this recording. It is played exquisitely. The ensemble between de Graaff and Lemoh is impeccable. The carefully chosen collection of pieces makes a great listening experience. And there is a nice balance between pieces you will probably be familiar with, and new works to enjoy. Four Australian composers…

Kate Tribe had a wonderful Q&A with Halcyon’s co-founder and Artistic Director, mezzo-soprano Jenny Duck-Chong. Kate: Twenty years is a wonderful milestone for an organisation. When my Market Research business was at that point, I remember looking back and thinking about what I had started with, and the journey it had been. In those 20…

BackStage Music on Friday night was exactly what my brother and I needed. The week had been fairly crazy and we needed to mentally close the door, allowing the weekend door to open. For me, choosing what to do with my time when not at my full time job, is selecting something to take me…

The AHE has been around now for about 6 years and it continues to be one of Australia’s premier early music groups. Often they present ensembles of a larger scale but in this concert it was decidedly “chamber” with the core members, Skye McIntosh & Simone Slattery (violins), James Eccles (viola) and Anton Baba (cello),…

I’ve been to enough Consort 8 concerts to know three things about them. Firstly, the standard of performance is tops – fabulous recorders, skilful playing of viols, lutes and theorbo, and where else are you going to get a gaggle (or whatever the collective noun is) of sackbuts?  Secondly, the program will contain more than…

While Joseph Haydn had a long and successful musical career, his personal life was not so great. He rarely saw his parents after moving in with his friend Johann Spangler as a teenager and he had a long but unhappy childless marriage to Maria Anna, who had no love of music and was said to use…

The Israeli harpsichordist Michael Tsalka was the featured artist at this concert at the Mosman Art Gallery, and what a coup it was for a small local group to perform with such an outstanding international artist. Thorough Bass, under the leadership of Diana Weston (harpsichord), presented an interesting program, with their usual mix of early…

The Australian World Orchestra was formed in 2011 under the patronage of Sir Charles Mackerras, comprising Australian musicians playing in local state orchestras and overseas in international symphony orchestras. Sadly, the group only plays for one week a year in Australia, but has already lured famous conductors such as Sir Simon Rattle, Simone Young and Zubin Mehta, with Riccardo Muti…

The huge audience that attended the concert by the Bach Akademie Australia in the St Francis of Assisi Church Paddington are great supporters of the music of Bach and also enthusiastic for the success of this newly formed specialist group. Founded by violinist Madeleine Easton in 2017, all the instrumentalists are well versed in period…

What an exhilarating evening hosted by Coro Austral at St Augustine’s Church in Balmain. Coro is a Sydney based amateur chamber choir which specializes in music of Hispanic origin. Their bubbling director, Margot McLaughlin, kept us fully informed before each piece and clearly is blessed with perfect pitch as she started each segment with an introductory note. Her enthusiasm was…

The near capacity audience for Bel a cappella at the historic Christ Church St Lawrence were treated to a concert by an ever improving community choir singing repertoire that suits their skill set and creating a performance that shone. Musical director and conductor Anthony Pasquill chose wisely when constructing this concert. For me the work…

On entering the Art Gallery of NSW entrance hall on Tuesday evening the audience was seated around a small stage containing a table set with goblets, wine and candles. We are all invited, Artistic Director Anthony Pitts tells us, to a 16th-century dinner party in the Tudor home of one Mr Robert Dow. Pitts went…

Kathryn Selby put together yet another intriguing programme, on this occasion based on one composer’s works. She is, of course, an accomplished pianist in her own right and her reputation enables her to lure top class international and local performers to play with her. Grace Clifford studied at The Sydney Conservatorium of Music until 2014…

In a program with a new work by an Australian composer it would be easy to gloss over a Beethoven string quartet, the Razumovsky Opus 59/1, but the Opus Now concert at the small and very intimate Alpha Gallery in Newtown was a most notable exception. And even more surprising was that this is an…

A new recording on the independent Australian label, Tall Poppies, showcasing transcriptions for violin and piano, is cleverly and most appropriately named “In Other Words“. Both violinist, Anna McMichael, and pianist, Daniel de Borah, are well-known and well-credentialled Australian musicians. This set of transcriptions is unique in that not only did the four composers featured…

Forming part of a series of reconstructions, Peres Da Costa with the Australian Haydn Ensemble, performing all of Beethoven’s piano concertos, this recording of the 1st and 3rd concertos is remarkable for a number of reasons. Principal of these is the exacting research brought to the playing of all the instruments, that places it as…

I had been looking forward to reviewing this concert ever since the 2018 brochure appeared in my letterbox. English music of around 400 years ago is simply divine. It’s the music of Shakespeare’s time, and the music dramatic. Our program started in near darkness with just a spotlight on the chamber organ. Music of Orlando…

Ensemble Three played to a full house in the Salon at the Melbourne Recital Centre. An unusual ensemble of a trumpet, trombone and guitar, I rather anticipated something closer to swing or jazz. Instead the concert was an adventure through nature – an inspired collection rendered anything but natural with their amplification, electronic soundscapes and…

This was the culminating concert of a week’s summer school for young musicians from all over Australia and New Zealand, specialising in early music. The week was under the mentorship of The Muffat Collective. The tutors Rafael Font (violin), Anton Baba (cello) and Anthony Aboudamad (harpsichord) joined the students for this all-baroque concert in the…

We have been following Jennifer Eriksson’s “Marais Project” since its inception. Marin Marais (1656-1728) was a prolific viola da gamba player and composer. He wrote many volumes of gamba music. In the year 2000 Ericsson set herself the ambitious task of doing live performances of all of them. Her concerts feature a lot of other…

Three of Bach’s sonatas for violin and obligato harpsichord were presented in this concert, the C minor with its beautiful opening movement, B minor and the G major. No programme was given so we relied on the information mostly supplied by Julia Fredersdorf who in her last recital as artistic director of this festival presented…

There is always a sense of relief when you arrive in your seats at Angel Place after having passed the god-awful infernal din emanating from the Ivy night club, and there is that magic moment of pure silence just before the musicians are about to play. In this instance our anticipation was rewarded by the…

We’ve all heard of the recorder, and many can recognise a viol da gamba, lute, and theorbo when they see one. But how about a cittern? Or a psaltery? And a tapan? All featured in the fabulous Consort 8 concert on Saturday night, kicking off the Christmas/Advent season with a program of (mostly) Renaissance works.…

It was a dark and stormy night (well early Summer evening actually) and to get to the Melbourne Recital Centre involved some dashing across dark glisteningly wet black streets, Melbourne was experiencing one of its stormiest beginnings to Summer for many a year so the turnout for the Zelman Orchestra was very creditable and thus…

Josie (Josie Ryan, Soprano) and the Emeralds (four viol da gamba players) first presented a special program honouring Lady Music in 2014. It was such a success with their audience, the Emeralds decided to make it an annual event. Some 80 fans crowded into the Glebe Town Hall – including Dame Emma Kirkby and her…

Fresh from supporting the Sydney Flash Mob Choir on Wednesday evening (15th November) at the City Recital Hall, the Sydney Chamber Choir, arguably one of this country’s finest choral ensembles, launched their 2018 program with their own quintessential mixture of elegance and energy. In 2018, the choir’s 43rd year, Music Director Richard Gill, OAM, is…

On the eve of their Cuban tour, Coro Austral, conducted Artistic Director Margot McLaughlin, presented a concert pillared by the Mass For the Dead by Portuguese composer Manuel Cardoso. The clear acoustics of the Redfern Town Hall and its simple decor created an intimate performing space for this acapella celebration of Love, Loss and Remembrance.…

Bel a cappella’s final concert for 2017 took its name from Arnold Schonberg’s 1907 score Friede auf Erden (Peace on Earth). This harmonically rich and highly romantic work in four parts received not only a rare airing in Sydney but also a thoroughly commendable one. Musical director Anthony Pasquill brings a depth of understanding to…

On a hot and seemingly ‘summer-esque’ and seriously smouldering Sunday at St Peters Presbyterian Church in North Sydney, the well-known Balmain Baroque presented a delightful program of Vivaldi, Handel, Quantz, Mattheson and two of the most underappreciated composers of the Baroque – Zelenka and Fasch. Opening with a reduction of Zelenka’s “Salve Regina” (ZWV 135),…

What a truly magical evening of musical theatre, opera, unique music and gourmet food in a corrugated iron shed seemingly in the middle of nowhere! While the weather outside was a little frightful, it was absolutely delightful under the glass chandeliers and fairy lights. Large heaters warmed us as we enjoyed an intimate setting with…

This was the last concert of the Sixty Seventh year of the Mozart Society and it was appropriate that, in contrast to recent programmes, we were treated to works familiar to many listeners. The Enigma Quartet has been playing for twelve years and has become a feature of the Sydney classical music scene. Marianne Broadfoot,…

Mozart’s The Magic Flute was popularly received and critically acclaimed when it premiered in Vienna, in 1791. Mozart attended the performances multiple times and delighted in the popular reception. However, he died a mere 2 months after the opera’s premiere. He was 35 years old at the time. If you base your knowledge of Mozart…

How better to spend a rather chilly, drizzly, overcast Saturday afternoon in Sydney than to attend a concert given by the Australian Haydn Ensemble (AHE), a group specialising in historically-informed performances of late Baroque and early Classical music on period instruments. All three works were arranged for a streamlined ensemble consisting of two violins, two…

Love indeed knows no boundaries – and the music heard tonight was some of the most sorrowful on earth, but sung and played with such beauty. Lamentations and libations (at interval) were promised and the capacity Great Hall audience did not suffer. It was great to see Roland Peelman back in Sydney as guest conductor…

There must be a tremendous amount of planning that goes into the programming of Sydney Mozart Society concerts. At Chatswood Concourse on Friday, there was a programme that consisted largely of familiar works arranged for unusual combinations of instruments. These arrangements were worked by John Rotar, who, although few of us are aware, composed the…

On Saturday 21 October 2017, Sirius Chamber Ensemble is performing Where The Heart Is – a collaborative fundraiser for the not-for-profit organisation Habitat for Humanity Australia. The concert program will focus on the plight of the homeless in our society, featuring works by composers who were known to have been homeless or displaced during their…

On Sunday 8 October, local musician (clavichord, fortepiano, traverso) Ivan Foo presented An Evening with Mozart at St Mark’s Church in Hunters Hill. This is the second concert by Ivan Foo that I have attended, and it appeared many in the audience were also repeat attendees. I admire any amateur musician who is confident enough…

Venezuelan born Latin-Australian singer, Daniel Alejandro is returning to his hometown Bondi, following the international release of his debut album El Amor. It will be an intimate one-night- only concert Songs of Rhythm & Romance on Tuesday 17 October at Bondi Pavilion. Q&A with Daniel How old were you when you decided to be a…

An intense listening experience- wonderfully chaotic, musically inspiring, a showcase of the talents of some fantastic musicians and a wonderful collection of Alan Holley’s compositions.

Kathryn Selby is not short of friends – the quality of her pianism and selection of her programmes is testament to that as is the number of her fans.

A veritable feast of delicious 16th and 17th Century works, most of them from Spain and Italy, were served up to a full hall.

The concert, or maybe a more accurate description, the entertainment Dreamers of the Day presented by The Song Company is a 75 minute near non-stop journey through bits and pieces of music from Handel and Bach to the present day. The longest work at nearly 40 minutes (though it incorporated the Swingle Singers version of…

The Australia Piano Quartet has been the Ensemble in Residence a the University of Technology Sydney (UTS) since 2012. They have toured throughout Europe and Asia and have given concerts at the Barbican and Wigmore Hall in London. Their specialties include performing rarely heard works, and works by Australian composers. Andrew Haveron, the concert master…

Duncan Gifford now lives in Madrid but returns to his native Australia annually. He has the distinction of being the highest placed Australian in the Sydney Piano Competition when he came third in 1992 as well as numerous other competition successes. Susan Collins has performed as a violin soloist in Australia, Europe and USA as…

We found our way on a cold winters night to a dark, dingy Darlinghurst lane with a steel roller shutter door and wondered what we had let ourselves in for. Inside however, we found a cosy space with chairs and a lot of people sipping wine. A small stage was set up with some high…

Sometimes you go to a concert and after just a few seconds know you are in for a treat. Lucky me, I had that experience with this, my first encounter with the Australian Chamber Choir. This exciting ensemble of young singers from Melbourne is on the tail end of a tour that included numerous concerts…

Bel a cappella’s concert billed Motetten was, for me, memorable for a work that was not a motet – Paul Hindemith’s Apparebit repentina dies (1947) for choir and eight brass players. This 25 minute work shows Hindemith writing life affirming music full of hope after the horrors of World War II. Bold, clean melodic lines…

The CD Midnight Songs by the Melbourne group Three is a wonderful introduction to repertoire that is evolving especially for this ensemble and it should have wide appeal amongst the concertgoers of Australia and overseas. Having heard the group in Sydney several years back I knew of their brilliant technical skills and high musicianship. Being…

Last Thursday evening saw the Australian World Orchestra bring their ‘Chamber 8’ to Melbourne to perform first as a septet, and then as a quintet for this evening of superb chamber music in, it must be said, the rather large ‘chamber’ of the Elisabeth Murdoch Hall. True to their ‘supergroup’ billing, uniting musicians from 8…

Kats-Chernin’s The Spirit and the Maiden (2004), was commissioned in 2001 for the Macquarie Trio (of which Selby was a member) and has undergone several revisions since that time. It is based on an intriguing Russian fairy tale where, in Movement I, a young girl accidentally drops her scarf in a well and when she…

“One could say that Young did not just conduct the symphony; she danced the symphony” It was wonderful to see so many people of all ages attend this concert which featured the collaboration of Australia’s finest musicians now playing in the finest orchestras over the world and conducted by one of the few Australian conductors…

NIGHT ONE: to the earth Spring Hill Reservoir 8 July 2017 music for string quartet + cavernous spaces John Luther Adams Canticles to the Sky^ Chris Perren a luminous moment, unfolded* Philip Glass String Quartet No. 5 Connor D’Netto String Quartet No. 2 in E minor Bec Todd live visuals Concert Review The concert began…

A group email recently arrived in my inbox with an invitation to join a fantasy football league. Not knowing what, or who, the teams or players were, I simply deleted the message. But if I’d been asked to pick my dream-team orchestra, my curiosity would have been piqued. The Australian World Orchestra (AWO) does essentially…

They don’t make fun like this any more. As Scottish organist and pianist David Gray stepped on to the stage in the Kelvin Grove State College Auditorium, presented by TOSAQ and the Queensland Music Festival, he won the audience’s heart by saying Brisbane is his favourite place to play in Australia. (Note: get ready to…

The University of Sydney’s Great Hall set the scene on a sparkling winter’s Sunday afternoon for Sydney Chamber Choir’s Saint Nicolas program. The afternoon’s repertoire took the audience on a journey from Hildegard von Bingen’s Selections from Canticles of Ecstasy to the erupting celebration of Benjamin Britten’s Saint Nicolas in a concert that Musical Director…

Balmain Baroque performed for a small audience of mainly friends and family in the sympathetic acoustics of the St Peters Presbyterian Church in North Sydney. They played a range of mostly sonatas and arias by Schutz, Telemann, Boismortier, Bernardi, Handel and Corelli. One of the benefits of this early music is that it was common…

Sydney Mozart Society’s concert in Chatswood by the Sydney Soloists, who recently morphed from the Verbrugghen Ensemble, come with great pedigree. All members of the Sydney Symphony Orchestra, although Robert Johnson has recently announced his retirement. A Divertimento in E flat for horn, violin and cello by Haydn was the first offering. An early piece…

A delightful program based on Paris in the late eighteenth century sufficiently warmed one’s soul on a cold winter’s night. In the presence of their esteemed Patron, former NSW Governor, Dame Marie Bashir, the Australian Haydn Ensemble (AHE), along with guest soloist Melvyn Tan, gave another wonderful historically-informed performance. The vast majority of the strings…

I knew I was in for ‘Handel with a difference’ as soon as I arrived at the ticket desk. Many people seemed to be wearing something pink or yellow or both. The ticket table was laden with a huge pile of coloured streamers (pink and yellow predominating) and I was invited to take one, along…

Lunchtime concerts in the CBD are wonderful for city workers, being so close for so many people, so I wonder why there were not more people attending this concert. There were a few younger people but the audience of 80 or so were probably mostly retirees. There was nothing here that could be criticised as…

On a somewhat dull winter afternoon in Sydney, I attended a ThoroughBass concert named “Overture and Concerto” at the Mosman Art Gallery. The Grand Hall, previously a Methodist church featuring lovely stained glass windows and an expansive timber ceiling that provided great acoustics, was an ideal setting for chamber music. The group, comprising Shaun Ng…

As headlines roared about the UK election and the ongoing woeful Brexit saga, the 4MBS Festival of Classics concert Mozart and the English Bach, presented by the Queensland Choir and Sinfonia of St Andrew’s, celebrated an unshakeable historic British connection. The artistic link between London and Salzburg was forged when Johann Christian Bach (the youngest…

In the lead up to Sirius Chamber Ensemble’s concert on Friday 23 June, 2017, I interviewed Alan Holley who composed most of the works in the program. Kate: Sirius Chamber Ensemble has performed several of your compositions and you have heard them perform other works many times. How do you find this familiarity enhances the…

I have to confess something right here, at the very beginning of this review. I am, quite simply, in love with the Australian Romantic and Classical Orchestra. I say this not apologetically, but just in order to let you know what you will be in for when you go to see an ARCO performance, so…

Trying to classify an Argo performance is like trying to describe a flavour. To really get it, you have to experience it.

La Calisto by Francesco Cavalli is a beautiful opera in three acts, ripe for fun and games. Characters hide and overhear things they shouldn’t, dresses are taken on an off, and cross dressing is de rigeur! It’s all typical of Venetian opera action and ends with the lead character being turned into bear and then…

The Friends of Eusebius and Florestan – a name which represents the contrasting dreamy and passionate natures of Robert Schumann – produced a performance of Schubert at the Northcote Town Hall which wended amiably and comfortably through these contrasting styles. First up on the programme was the Clarinet Quartet in D, op.7 of Bernard Crusell.…

I’ve been enjoying my super music dictionary, the 29 volume New Grove II, for about eight years, but this is the first time I’ve noticed a typo, as I read the entry for Wolfgang Steffen. It’s not an insignificant one, because it’s the composer’s surname! I’m guessing many readers will not be acquainted with Wolfgang…

From the moment that Ayşe Goknur Shanal entered the Utzon Room at Sydney Opera House we were transported through song from a sparkling autumnal Sydney Harbour, to the shores of Italy, Spain, Argentina and France. Les Chemins de l’Amour brought us a refreshing repertoire from the South American and French classical traditions, full of tales…

I was sad to miss the first collaboration in 2015 of the Australian Brandenburg Orchestra and Circa. Who doesn’t like a circus? This time I was looking forward to hearing some old tunes from the Brandenburg’s CD Tapas and some brand ‘new’ Spanish baroque works with eight acrobats flying around in the City Recital Hall.…

This recital by the Sirius Chamber Ensemble was as much about words as it was music. Each of the five works had spoken text and their success as integrated compositions was due in the main to the quality of the music. Abschied von der Erde by Schubert was, as one would expect, the standout both…

Chatswood on a Friday night is buzzing with the night food markets and people heading out for time with their family and friends. Climbing the stairs to the concourse is like heading up to the temple, where one can see directly into a Korean Karaoke restaurant and the emboldened displays of fashion at TopShop. Rising…

What do you do? You’ve spent three to four years working hard on your voice to perform some of the greatest music in the world to the best of your ability. Then what? Sydney is lucky to have Pacific Opera to step in at this point, the company that has risen from the turmoil of…

The singer Josie Ryan and the viol consort The Emeralds are doing a series of concerts this year to commemorate the 450th anniversary of Claudio Monteverdi’s birth. Monteverdi’s music stands at the cusp between the Renaissance and the Baroque and here we heard works from his Books of Madrigals 3, 4, 5 and 8 spanning…

I first met young conductor Sam Allchurch on a tour bus in 2003, travelling around the United States with Gondwana Voices. Tonight’s guest conductor would sit next to me on the bus and we discuss in detail the music we were performing and what he was going to do when he’d grown up. Well he…

Flinders Quartet is such a well-established ensemble on the Melbourne, and indeed Australian, music scene that one might be tempted to view an evening with them as ‘just another performance’ but how wrong that would be! Thursday evening at The Salon, Melbourne Recital Centre was billed as ‘Schubert in the South’ but while Schubert headlined,…

The Australian Romantic and Classical Orchestra (ARCO) brought a touch of Italian Romance to the Elisabeth Murdoch Hall at the Melbourne Recital Centre on Friday night, and it was an evening of joy and wonder for all. A trio of Beethoven up front followed by Wolf and Mendelssohn after the interval performed by a rotating…

After a prolonged run of wet weather in Sydney, the sun shone brightly for the first concert of the Australian Haydn Ensemble’s 2017 season. It featured the works of WA Mozart, Luigi Boccherini, and Giuseppe Cambini, either arranged for or originally composed for string quintet. Unlike Mozart, both Boccherini and Cambini moved away from their…

Occasionally you attend a solo recital that reaffirms your belief in the importance of the genre and the concert at the packed Utzon Room at the Sydney Opera House by the cellist Gavriel Lipkind was one of those events. A musician of profound insight and truly amazing technique, Lipkind captivated the audience from the very…

The long line-up outside the Independent Theatre well before opening time augured well for the afternoon’s events, indicating that the regulars know the quality of the lavish afternoon tea provided as part of the afternoon’s entertainment. The ‘Prelude in Tea’ series has clearly become an indispensable part of many music-lovers’ cultural calendar. This month’s stars…

Whimsical, Intelligent and Difficult. This is how Don Immel, on the Trombone for Three, a unique ensemble seeking to challenge and expand the chamber music space with their combination of brass and guitar, characterised both the final piece on offer at the Melbourne Recital Centre and, by extension, the players themselves. It was this piece,…

I first heard the newly-formed Muffat Collective play in the Live Broadcast Studio of radio station Fine Music FM 102.5 late last year and was most impressed. They announced themselves as the latest group of historically-informed performers of seventeenth and eighteenth century chamber music, all having been graduates of The Royal Conservatoire of The Hague…

“He’s not the messiah, he’s a very naughty boy!” The Australian Brandenburg Orchestra stage Handel’s Messiah. It’s a momentous occasion, a season opening concert, and what better than to launch with the masterpiece that is George Frideric Handel’s Messiah. I nearly didn’t believe the publicity material that claimed the Australian Brandenburg Orchestra had not ever…

Thomas Heywood’s choice of repertoire on Saturday 18 February at Kelvin Grove College Theatre, presented by TOSA QLD (Theatre Organ Society of Australia QLD), was varied and impressive. The first piece, The Great Gate of Kiev from Pictures at an Exhibition, had everyone on the edges of their seats, waiting to hear how Hull’s arrangement…

The Utzon Room with its sweeping harbour views behind the stage is always a favourite venue for its dreamy atmosphere. Having the Omega ensemble present this delightful program here was a treat.

Listening to the Song Company in the Yellow House, Potts Point was for many in the audience a trip back in time. Revisiting works and composers that were played on a regular basis in Sydney in the seventies this cabaret style production references aspects of the life and musical times of the once avant-garde English…

An inspiring concert in an interesting venue and the repertoire was engaging. This was apparently the third such concert; if there are more, I will be there!

Pianist Stefan Cassomenos strode on stage to warm applause, and left it to a thunderous ovation some 30 minutes later.

The famous and much-loved Clarinet Quintet of Mozart, and two contemporary pieces composed by fellow Australians, Ian Munro and George Palmer.

Their concerts are always an uplifting and joyful experience. Amy Johansen playing organ really added to the celebration of the life of St Cecilia.

The versatility of The NOISE led me to employ their creativity as improvisers as well as their consummate skills as classical players.

A fairly young but accomplished string quartet named The Enigma Quartet presented the monthly Prelude in Tea concert at The Independent Theatre in North Sydney on a warm spring afternoon.

The eclectic mix of music in this concert was a good light hearted toe-tapping experience. Catch them if they appear in your glen.

The concert is intimate and personal. The blend of poetry and strings is a fine choice, as the attack of the keyboard reflects the accuracy of the chosen poetic words.

The Forest Collective is one to watch out for and I hope you are able to join them for future concerts.

Impressive concert for the brave choice of new music, excellent musicianship and dedication to bring it to life. Great Sydney has groups so enthusiastically dedicated to sharing new music.

Giving access to the world of new music. The exploratory nature of Ensemble Offspring is important to the future of music making, both generally and in Australia specifically.

Acacia Quartet approach music with humility and an invitation to the listener to engage. This is a great quality in a quartet. Long may it reign and have more of this brave programming and wonderful performance.

A balmy evening at Angel Place was a great setting for an appealing programme given by the well-credentialled Omega ensemble and titled “Three Parts Mozart”.

The production and the talents of the singers and the instrumentalists, all in all a well calculated and performed ‘hoot’!

The performance of the Second Symphony the ensemble produced a big sound for the space and is better suited to chamber music arrangement.

The Sydney Mozart Society has transformed smoothly to its new Chatswood venue and continues to present enticing programmes which include music by Amadeus himself.

What’s not to love about an hour of delightful C18th French music on a Sunday afternoon, followed by a glass of complimentary wine and the chance to schmooze with the musicians and fellow concert goers?

Sparkling Sydney Harbour on a beautiful Spring afternoon was a most appropriate backdrop. My first Omega Ensemble concert, made a most favourable impression.

In Callan Park, Song Company and Leichhardt Espresso Chorus explore the history of the iconic Inner West green space. A remarkable experience of musical storytelling.

Dramatic light with the orchestral unison passages supporting the drama. Showed the potential power in his voice, but this was never overdone.

The 2017 program is full of great beauty and that is how the evening ended when the singers left us

Gordon Kerry’s Three Malouf Songs is a substantial new addition to the repertoire; draws the listener into a world where painterly text stirs Kerry to make music of equal imagination

An enjoyable and satisfying afternoon – the music and baking delights, and the drinks generously available to all post-concert while mingling with the musicians themselves.

After a long tiring week, it was a great pleasure to saunter down to the City Recital Hall with a friend and settle in a for a night of romantic music on period instruments. I had been warned to ‘not miss the Paganini’ by a fellow classikON-er, but it would be a little wait via…

From the first chord Teije Hylkema held the audience’s attention with his commanding stage presence and sonorous and expressive performing.

An informal family-and-friends affair with the choreographer Ross Hutchison as the exuberant master of ceremonies. Brandman’s songs are characterised by sonorous tonal piano writing, lyric melodies and even phrasing.

Always deliver works I’m unlikely to have heard before (and probably never knew about). Thoughtful programming with a novel twist. Sunday was no exception.

The performance was of a consistently high standard and musicians maintained their focus and intensity throughout this diverse work

Australia Ensemble always fills me with high expectations of consummate musical performances and I was not disappointed. The concert was a joy.

Lemasson showed a good strong dark chest register in the opening recitative. The aria ranged across gentle ecstasy, again well controlled pianissimi, difficult roulades and a grand finish.

There were so many good points about this concert that it is hard to know what to point out over and above anything else.

Alan Holley composer in residence at Podium Festival, Croatia In the utterly picturesque coastal town of Fazana and the island of Brijuni in the northern part of Croatia the 2016 Podium Festival presented world class chamber musicians from six countries. This is a reasonably new festival on the European circuit and is characterised by its…

What a fabulous program this concert was. Add wonderful performers and I could have died and gone to heaven.

Shines in this contemporary Australian music. Never a dull moment, my attention was riveted at all times. To be congratulated on a most engaging concert.

Beethoven’s Seventh Symphony is immensely enduring and, as such, very popular. This was my first encounter with the group. It won’t be my last!

A pleasant relaxing afternoon of music and the audience were treated to expert soloists complementing the fine orchestral playing.

The highly-anticipated night of firsts for AHE and they did not disappoint. First performance at the City Recital Hall and launch of their first CD.

Unity between the two treble instruments with many unison passages displaying a fusion of sound that I would not have believed possible between violin and clarinet.

Haydn Ensemble stands proudly shoulder to shoulder with the many period instrument ensembles found in Europe. We are lucky to have such a professional and vibrant ensemble in our midst.

The Mythra Ensemble takes it name from Mitra the god of friendship, and focuses on creating cultural unity through music, blending Turkish, Armenian, Iranian and Kurdish musics with a both traditional instruments

An excellent concert brilliantly conceived by the Schubert Society which really wowed the audience and was superbly performed by all concerned.

The first appearance in Melbourne of the ‘Resonance’ series of affordable and approachable intimate classical music performances

Chung’s voice is perfect for this music, with recorders again mimicking the organ and the lute quietly strummed. The balance of sound between instruments and voice gave this slow lamentation its emotional intensity.

Historical performance practice is to be encouraged and HIP concerts provided by Ironwood can be a revelation for those seeking a more authentic sound.

Strelitzia have taken great pains to tread unbeaten paths, exposing us to less well-known works and we are much the richer for it. The playing was faultless and I can’t recall having a warmer feel

There truly is nothing like listening to some of the best players in town performing chamber music in an intimate setting, while enjoying a glass of red!

Melissa Farrow was superb in her quasi-solo role while I felt that the cellist, Anton Baba, stood out in cementing the intricacy of the string playing.

Chris had no difficulty with the long arpeggio passages and showed a great degree of feeling particularly in slower passages.

Ben Hoadley’s “Four Preludes” based restful sojourns in New Zealand and Sydney’s North shore were satisfying, tranquil and well received.

Paul’s performances will be broadcast on Serbian radio and on Albanian radio and television.

Each work had points of interest and provided easy listening, a tribute to the Sydney Mozart Society and to the Streeton Trio which melded superbly in its altered format.

High quality performances without government or other official financial support. is a huge achievement and they deserve our patronage. I look forward to hearing them again!

A wide range of performance skills needed by opera singers demonstrated. The production ensured that the greatness of Purcell’s music was realised in full measure.

Elena Kats-Chernin captivated the audience, Christine Draeger showcased their rich sound, Andrew Schultz was intriguing, Julio Medaglia was fun, Nielsen a great way to finish

A concert of composers who were recognised with a selection of works sung that were new and what a joy it was to expand one’s experience of these composers.

All praise to the choral machine that is the Brandenburg Voices – precision, powerful and polished.

Hugely enjoyable with its varied innovative programme in an intimate atmosphere, an enthusiastic audience, and above all, the brilliance of its three soloists.

With thanks to the intensity, focus and commitment of the musicians, it was a most rewarding debut concert.

Revolutionary Brisbane contemporary classical/electronic duo argo, are presenting their unique sonic descent into an underground world in Spring Hill Reservoir

Filled with highly melodic and tonal music, even phrases and simple rhythms in the voice part and high demands placed on the performers. It was enjoyable.

Andrew Ford’s Contradance was composed for Omega – It was a lot of fun; congratulations to Ford and the ensemble. It deserves to be part of the repertoire,

The intimate and crisp acoustics of the Independent Theatre were perfect for a concert of such beauty and spirituality.

I enjoyed this concert immensely, well programmed and well-performed by the ever reliable SCM Symphony Orchestra under its enthusiastic regular conductor.

It’s not very often you get to hear a performance of Arnold Schoenberg’s amazing sextet Transfigured Night and played so beautifully by the Australia Ensemble.

There is something quite delightful going to a one hour concert in a beautiful venue listening to fine Sydney performers in a most intelligently designed program.

The “Beautiful Boccherini” concert was in an interesting venue, the Cell Block Theatre in the National Arts School complex in Darlinghurst, part of the old 19th century prison. The concert hall, which was a 3 floor high women’s prison first occupied in 1841, has now been gutted and only the outer sandstone walls remain with…

A delightful evening with wonderful music, fine wine, mouth watering food (beef Wellington or grilled salmon and panna cotta or chocolate mousse) and good company.

The concert, which came about originally from Rowden’s desire to perform Herrmann’s Clarinet Quintet was highly varied and enjoyed by all

Drawing together talent from all over the country to create an original gem which was so much more than the sum of its parts.

Chris Cartner’s mission to bring chamber music to different parts of Sydney is a most worthwhile endeavour. He showcases top Sydney talent in intimate surroundings. The concerts are pleasantly a little informal and the big audience at the Lavender Bay performance were enthralled.

Georgia Browne has a gift not only as a performer, but as a compere whose knowledge and passion for this music shines through in her informative and entertaining spoken program notes.

Careful programming ensured that there was variety in a program of baroque instrumental works. No better way to spend a sunny afternoon than on the Flinders lawn.

The background research into this concert was evident with the effortless patter that Tyrone Landau supplied between brackets. Songs were convincingly performed and with great authority.

All the songs were performed beautifully, so much so that it is difficult to say what stood out for one was continually delighted.

Throughout the performance the musicians displayed a level of interaction that was only outshone by their obvious love and enjoyment of the Haydn’s music.

The orchestra received an enthusiastic and well-deserved applause from the audience. It is encouraging to know that we have the next generation of baroque specialists in the making.

This freshly commissioned work for the VOX Christmas show produced a fast and fantastical musical journey by an award-winning composer.

A historically-informed performance of two Septets pitted Lachner against Beethoven in a sumptuous performance by Orchestra seventeen88 and the incredible Jakob Lehmann.

A varied and demanding program of 22 Christmas and Advent pieces, much of the music little known and performed in a polished and professional manner.

In a concert of serenades and seranatas, Omega Ensemble performs Tchaikovsky’s masterpiece superbly with Tarkmann’s intimate setting.

Featuring core players and guests, the CD draws on an array of inspiration sources, from Japanese Haiku poetry to dust storms and electronic music.

The Streeton Trio can certainly be congratulated for a superb performance that introduced us to early and unfamiliar works by well-loved composers.

Under Max McBride’s expert leadership and the orchestra’s clear articulation, I discovered things in this Brahms symphony I have never heard before.

The famous classical guitar duo, Slava and Leonard Grigoryan, join tenor José Carbó in a concert of Latin classics handed down from their grandfather.

I am always impressed by their interesting and innovative programming. There are always surprises and challenges for the listener.

Miguel del Aquila’s Silence finished the concert on a calm note with images of huge oceanic surging and crashing waves projected in slow motion.

A great time, good humour and skilled young players who improvised amazingly elaborate solos over the stupendously bare materials of funk

A first class performance by three Sydney musicians with distinguished careers. Beautiful summery music is the order of the day!

Riccardo Minasi, Italian Baroque violinist extraordinaire, returned to our shores after a four-year gap to play with the Australian Brandenburg Orchestra and promised a scrumptious evening of unknown Neapolitan Baroque treats. Were we rewarded? Mostly. As a fan of all things Italian and Baroque, I was looking forward to hearing some music from the peers…

A well-focused musical snapshot into this time in history and the intimate setting allowed the audience to really be a part of that experience.

The Sydney Conservatorium of Music (SCM) Early Music Ensemble played a splendid program of Baroque music.

The Sonata was superbly played by Ian Sykes with just the right amount of shading as well as expertly delivered helter-skelter ‘runs’ for which the clarinet is famous.

Saturday night was the gala event, with Maestro Richard Bonynge (1950 graduate) conducting the SCM Symphony Orchestra, Choir, and Chamber Choir, in presenting a little known opera by Joseph Haydn.

One of Australia’s finest contemporary-music outfits wisely programmed concert finished with Damien Ricketson’s Fractured Again, a ‘suite version’ of a longer work all about glass

Blowing all prejudices to pieces and demonstrating that there is nothing to be afraid of. The end product was easy to follow and moving.

I had often heard and read about AHE’s expertise in historically-informed performance since its formation in 2011. Well, they certainly didn’t disappoint.

A young piano trio who have been working in Europe for a number of years and are now resident in Sydney. A very rewarding and enjoyable concert. How lucky we are to have musicians like this in our own city.

Polished and professional musicians playing an interesting combination of instruments, treating the audience to a master-class in effortless playing.

I would recommend this CD for somebody with an eclectic musical taste looking for variety and something different.

An enjoyable, well-chosen programme and performed in a pleasant venue with a wonderful family atmosphere and child friendly.

Fortepiano really started to play under Bezuidenhout’s superb fingers in the Mozart concerto. You could hear a pin drop.

Alexander Knight ranging from a rich dark chocolate lower register to an affecting upper range. He doesn’t just sing the notes, he performs the work.

Page, Sitsky and Schultz were all able to take well-deserved bows and join the other listeners in congratulating Halcyon on crafting yet another unforgettable concert of contemporary treasures.

A capacity audience filled the Mosman Art Gallery. Bel a cappella has been around since 1995 and as the name implies they specialise in unaccompanied repertoire.

To anyone venturing into the weird but enjoyable world of opera, this was a splendid introduction. But it was enjoyable for anyone, young or old.

Omega’s Artistic Director David Rowden created an afternoon of wonder and intensity in the selection of this program of two early 19th century works

Hornist Rob Johnson and pianist Ian Munro entranced the audience with music that was simple and yet strangely mysterious.

A quiet confidence and approached the music with a freshness and humility. And what a voice it is; she sang throughout with a clear well centred voice with minimal vibrato.

It’s often said that music has the power to soothe the savage beast. Listening to the beautiful music of Mozart played exquisitely by one of Melbourne’s premier ensembles is certainly a wonderful way to spend a Sunday afternoon.

Focused on the viola da gamba, with works by Rameau, Bach and Marais. Three instruments were featured, gamba (Shuang Ng), violin (Tara Hashanbuoy) and harpsichord (Diana Weston).

Their intonation excellent and every line clear; phrases rose and subsided from the texture with balance and grace. At the finish of this profound and sincere performance, I longed for more.

If the AYO are performing in your area, I would heartily recommend that you go along and hear them, even if you are not a regular orchestral music listener.

Take my advice – buy Hammerings, take it home and grab a good set of headphones. This is truly music to lose yourself in. Close your eyes and you can almost see the musicians playing their hearts out.

An enjoyable evening particularly for music lovers enjoying the bigger more challenging classical works and it was performed with precision, authority, delicacy and nuance.

Chris Cartner’s Resonance series gives the floor to dramatic soprano Mylinda Joyce, a golden-piped singer with a proclivity for German and Italian opera.

The Omega Ensemble is impressive. I will always be happy to attend any of their concerts and to recommend you do so too.

We are so lucky to have such a wonderful ensemble in Pinchgut Opera, who are dedicated to producing these forgotten masterpieces and have had the vision and will to make it happen.

Excellent music and entertainment which I thoroughly enjoyed. If this is the calibre and performance quality of XL Arts productions, get on their list for any of their future events.

It is testimony to this chamber music group that the last movement of the Haydn, which as the programme noted ’demands virtuosity from the whole party’ was executed superbly.

Ensemble Vinifera is violist Ella Brinch, cellist/founder/artistic director Andrew Wilson, & clarinettist John Martin. Joined by violinists Catalin Ungureanu & Airena Nakamura.

The Idea of North lost no time in warming up the audience with their sense of humour, incredible musicianship and innovative choices.

From the opening bars the phrasing was subtle and the articulation was delicate. McBride had the full and intense attention of the focussed orchestral players.

The three hour program was a fascinating combination of the old and the modern; showcasing the total professionalism of the choir.

Combined melodrama, chamber music and drama of the late C19th & C20th in hugely entertaining and darkly atmospheric re-creation of parlour entertainment.

What I experienced was a challenge to think twice and then some – about my expectations of the both Antonio Vivaldi and the ABO itself. Brandenburg’s Vivaldi Unwired was a tour de force sensual journey through the brilliance of the baroque and back

A different taking of the Song of Songs. The poetry is beautiful, erotic and sensuous. Down the centuries composers have been attracted to these love poems.

Funk Engine have served their time at the Con well, as evidenced by their tight playing and ripping talent. Pogson’s pieces give ample opportunity for each musician to shine with at least one solo for guitar, sax, drums or bass in each piece.

Combining music with visual arts is an excellent combination because they combine to create an excellent space to be surrounded and absorbed in the music you’re hearing.

Never predictable and always surprising with a tight program, this exceptional chamber orchestra has again delighted with this concert series

This beautifully compiled CD with extensive booklet notes certainly comes highly recommended for the uninitiated who wish to learn about Swedish culture, history, & music.

The phrasing, articulation and dynamics were beautifully executed and the sound well supported, making the most of the space. A diverse concert.

Alexander Knight is a seriously good bass baritone. If any young singer has that elusive ‘it’, it is him. Michelle Leonard held large & diverse forces together in her characteristically forthright manner.

The Cell Block Theatre is near perfect form showing off this group’s considerable capacities. The sopranos produced some stunning sounds and whole group produced power without unnecessary force.

I am so impressed by this ensemble. They have a loyal following with good reason. This was music making at its best and it is always worth the trek out to UNSW.

A series of folksong arrangements bookended the concert. Very varied styles here despite the tone set by the constraints of an early music ensemble.

Music for Good Friday! Couperin imbues the music with a lightness of touch By far the most intriguing work in the Sydney Consort Good Friday program was the short Francois Couperin motet style Troisième Leçon à deux voix for 2 sopranos and continuo. Even though the text and the subject matter are gloomy Couperin imbues…

Electronic echo effects applied to both voice and trombone add a cathedral-like blending of sounds as the music and poetry build to its ecstatic climax, spangled with strobe lights and glitter.

If you ever get a chance to see Opera Bites in a pub, or anywhere for that matter, go! The singers are passionate about their craft and deliver fun and compelling classic operatic repertoire.

Congratulations for getting the Easter season off to such an expressive start, thanks to the thoughtful direction of Neil McEwan and the sensitivity of the choir to its own strengths.

A very satisfying performance of much-loved Schumann repertoire by a promising young Sydney singer. A glass of wine and the chance to chat with performers in the church hall was an added bonus!

What an inspiring concert to hear! A luscious 20th century program and Raising Sparks by James MacMillan. It truly had some beautiful moments.

Jenny Eriksson teams up with Tommie Andersson, a fellow Swede to produce a CD of Swedish music. There isn’t a track on this CD that you wont enjoy!

I am so impressed with a community orchestra doing work of this quality. I have suddenly become a fan of the Ku-ring-gai Phil. Make the effort and go to their next show.

Play with an easy grace and flawless precision. Demonstrate prowess as both individual performers and as a polished ensemble.

What is the world record for the greatest number of composers in one piece? According to Liz Jigalin it’s 40, and the Music Box Project has just broken it. The effect is astounding and mesmerizing.

Every now and then life rewards us with unexpected jewels. Tonight was one of those rare and utterly delightful times. I am now checking into how to get onto the subscriber list.

They wove a magical mixture which seamlessly moved from the early 17th century to 2015. Clocking in at just 70 minutes.

The next time The Musician Project plays, you’ve no excuse to not go along. If this concert is anything to go by, you’ll get much more than your money’s worth.

Ann Carr-Boyd’s bottom drawer is full of largely unpublished and unrecorded manuscripts from 40 years ago, ThoroughBase and The Flying West project been recording them.

The Arrival of the Well-Dressed Queens of Sheba It’s been quite the week for early music in Sydney, with ACO’s new rendition of the Four Seasons and the impeccable Tafelmusik in town, but what a pleasure to have some heavenly music by George Frideric Handel, performed during the week of Handel’s birthday. We were treated…

Celebrating their 10th anniversary, this ensemble once again demonstrated a polished, thoughtful performance and I will be looking forward to the season to come.