Robin Wilson

Ironwood’s Old Masters, New Sounds

The recital opened with an elucidating lecture on the rationale for the performance style of this Brahm’s Piano Quartet and was well received by the attentive audience. I’ve always considered the term ‘Historically Informed Performance’ rather awkward; its opposite would imply a non-historical and non-informed performance— and that is an absurdist reduction. But still, the moniker sticks. We understand the

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The Choir of St James and Brass Ensemble | Patronal Festival
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