On Sunday June 2, the Australian Haydn Ensemble performed an interesting program with a “French Twist” at the Independent Theatre in North Sydney.
This included works with a French connection by Mozart and Haydn, paired with works by little known and rarely performed composers Jadin and Devienne, plus the more well-known Rameau, whose Cinquième Concert from Pieces de Clavecin en Concerts had echoes from an earlier era.
I enjoyed sketching Melissa Farrow with her period flute, which sounded mellifluously mellow as she played Mozart’s Flute Quartet in A major K.298 and, later, the Flute Quartet in B minor Op. 16 No.3 by Jadin, which had a rather ethereal opening and a general melancholy feeling.
The concert ended with the last of Haydn’s Paris symphonies (No. 87). Arranged for String Quartet and Flute. The Australian Haydn Ensemble achieved a sumptuous symphonic sound with just five musicians.
Born in Augsburg, which boasts the family residence of Leoplod Mozart, Heidi grew up initially surrounded by classical music. Her father, a keen amateur chorister, always sang around the house and the news on radio was announced with the opening of "Eine Kleine Nachtmusik".
Her family emigrated to Australia when she was seven. Music was still important in her family, but her main interest was in visual art.
She trained as a Graphic Designer, although her passion was fine art. After a long career as an art director and teacher, she retired to pay full attention to art and music. She is a member of two choirs (Collegium Musicum UNSW; Eastern Sydney Chamber Choir) and goes to concerts very frequently.
She sketches all aspects of her life, especially during concerts, where she can visually express her reaction to the music.
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