Simon Hirtzel
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Simon started learning piano at the age of 10 in Christchurch, New Zealand, gaining a love of the romantic classics. Now with a career in copywriting, Simon is interested in the effects of rhythm, tone and melody in language, and the opportunities to attract the new audiences to classical events.

Soirées Musicales Quintette get straight to the heart at Old Government House in a trip back in time

On 9 November 2018, an appreciative audience gathered at Old Government House to experience a recreation of a concert held in exactly the same location on the same date 112 years before, in 1906. The original concert celebrated King Edward…

 
Soirées Musicales Quintette – sanctuary on a Sunday afternoon

As a winter wind whipped through Brisbane swirling leaves and dust, Saint Mary’s Anglican Church in Kangaroo Point provided a serene backdrop to a charming performance by Soirées Musicales Quintette. Founded in 2015, the Brisbane-based ensemble enhances the romantic classical…

 
Australian World Orchestra Chamber Eight tour: world-class homegrown brilliance

A group email recently arrived in my inbox with an invitation to join a fantasy football league. Not knowing what, or who, the teams or players were, I simply deleted the message. But if I’d been asked to pick my…

 
David Gray dazzles on the Christie theatre organ.

They don’t make fun like this any more. As Scottish organist and pianist David Gray stepped on to the stage in the Kelvin Grove State College Auditorium, presented by TOSAQ and the Queensland Music Festival, he won the audience’s heart…

 
4MBS Festival of Classics’ Mozart and the English Bach, celebrated an unshakeable historic British connection

As headlines roared about the UK election and the ongoing woeful Brexit saga, the 4MBS Festival of Classics concert Mozart and the English Bach, presented by the Queensland Choir and Sinfonia of St Andrew’s, celebrated an unshakeable historic British connection.…

 
Eyes wide open at Argo Saturation: music heard, felt and seen

Trying to classify an Argo performance is like trying to describe a flavour. To really get it, you have to experience it.

 
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