Andrew Ford

barton & brodsky credit melbourne recital centre & laura manariti (1)
Ambassador thoughts
Warren Wills

Barton & Brodsky – Thrilling. Accessible. Millennial. Sublime.

Brodsky String Quartet & William Barton February 25, 2026, Melbourne Recital Centre, VIC The Occasion Midweek, late February in Melbourne — summer in decline. Beware the Ides of March. Around the corner at Hamer Hall the future beckons with a laser/synthesiser reimagining of the prophetic AI apocalyptic film Terminator 2: Judgment Day. But nestled snugly within the extraordinary honeycombed acoustic

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dancing shadows
team@sympley.com.au

Melbourne Chamber Orchestra | Dancing Shadows

MCO PLAYERS In this dynamic concert, much-loved MCO core members take centre stage in a program three centuries in the making. Mozart’s Divertimento brims with youthful charm and elegance, while Andrew Ford’s Sad Jigs offers a poignant, whimsical take on dance forms through a contemporary Australian lens. The program culminates in Dvořák’s joyful and expansive Quintet in G major, a richly textured

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lyle chan hark!
Ambassador thoughts
Daniel Kaan

The Song Company adds their own wonderful concert to the Christmas tradition

The Song Company | Hark! November 29, 2024, St Philip’s Church, Sydney, NSW THE SONG COMPANY Susannah Lawergren & Amy Moore, Sopranos Jessica O’Donoghue, Mezzo Soprano Timothy Reynolds, Tenor Hayden Barrington, Baritone Andrew O’Connor, Bass PROGRAM Bob Chilcott – The Sleeping Child Anne Cawrse  – Love is Born/Lux Aeterna Andrew Smith – Veni Emmanuel Herbert Howells – Long, long ago Brooke

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Ambassador thoughts
Daniel Kaan

BackStage Music | The Mechanical Fiddle – long may the scene live!

Backstage Music: The Mechanical Fiddle Saturday, 4 February 7:30pm, Woodburn Creatives, Waterloo Featuring Kyla Matsuura-Miller on violin, and Claire Edwardes with Niki Johnson, Jack Peggie, Kerryn Joyce and Alison Pratt on percussion. For those not familiar with Backstage Music, it is a Sydney based collective of musicians who foster new and adventurous music performed by both emerging and established artists;

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Halcyon’s 13 new Australian compositions for voice and cello

Halcyon | After Dark Saturday Sept 10, Summer Hill Church Jenny Duck-Chong – mezzo-soprano James Larsen – cello In a concert of 13 new Australian compositions for voice and cello this review will necessarily be brief about some of the works. Some of the music was scheduled to be performed live during the Covid lockdown time and in order to

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Ambassador thoughts
Daniel Kaan

Luminescence Chamber Singers’ emotive world premiere brings tears to the eyes

Luminescence Chamber Singers: Ave Regina Sunday 10 April, 2022, Glebe Town Hall Luminescence is a Canberra based group here conducted by Roland Peelman, formerly of Song Company fame in Sydney. The same high standard of a cappella singing to which we had grown accustomed from Peelman was in evidence here. Interestingly programmed, this concert was centred around religious music about

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Ambassador thoughts
Pepe Newton

Within Lotte Betts-Dean’s Four White Walls there is calmness and joy

When I sat down on a quiet Sunday evening in lockdown to view Lotte Betts-Dean’s solo online concert I was not intending to write about it, I just wanted to listen to something beautiful and having heard Betts-Dean’s voice live in the past I knew I would probably not be disappointed on that front. The programme of works (listed below)

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Q&A with Halcyon’s Jenny Duck-Chong ahead of IN NATURE

Ahead of Halcyon’s concert, In Nature, on Saturday 12th October, classikON’s Phillipa spoke to Halcyon’s Artistic Director, co-founder and mezzo-soprano, Jenny Duck-Chong about nature and poetry as artistic inspiration, the importance of supporting new music, and the unique soundscapes In Nature will evoke. classikON: Why do you think it is that composers throughout history, and still today, turn to nature as their inspiration?

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The NOISE – Composed Noise

Exciting Sydney based string quartet, with a special love for improvised music. They’ve commissioned 7 Australian composers to create new works for string quartet that left open opportunities for improvisation & the element of chance.

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