Ironwood

Ambassador thoughts
Margaret Steinberger

CD Review: Felicity Wilcox | Uncovered Ground

Felicity Wilcox’s new disc, Uncovered Ground, draws together works from 2014 to 2018. It is the first recording of concert works by this Australian composer, highly experienced across a range of genres. Her music for theatre, radio and film includes over sixty soundtracks for the screen, but chamber works are the focus of this disc. Represented are short pieces, longer

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The inaugural Eastside Sydney Music Festival finale was an all-Baroque “Stravaganza!”

The final concert of the inaugural week-long Eastside Sydney Music Festival (ESMF), curated by Professor Neal Pere da Costa and supported by Sydney University, was an all-Baroque affair held at the Paddington Town Hall. It featured musicians from three groups – Ironwood, The Australian Haydn Ensemble, and The Muffat Collective – all renowned for their Historically Informed Performance practice. Experienced

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Ironwood opened the inaugural Eastside Sydney Music Festival to riotous applause

The rain momentarily eased in time to celebrate the opening concert of the inaugural Eastside Sydney Music Festival. Featuring Ironwood at the Paddington Town Hall, this was the first of 10 musical events in interesting venues around Paddington, to be performed in less than a week. Neal Peres Da Costa, the Artistic Director, and also a member of Ironwood, introduced

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Ironwood presented divine & distinctive string quartets in their program, “Prussian Frogs & Bohemian Princes”

The Paddington Uniting Church provided the beautiful venue for Ironwood’s concert Prussian Frogs and Bohemian Princes. It was a cold night, and after extensive warming up of their period instruments, the members of Ironwood performed Haydn’s String Quartet Opus 50 No.6 in D Major, dedicated to the Prussian King Frederick William II. It was nicknamed “The Frog” (not Freddo the

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Ironwood’s Classical Lyricism and Fervour was an evening of warm weather, beautiful tones, and spectacular works

With a program featuring a composer known as the “Spanish Mozart”, it should seem fitting that Ironwood’s 3rd concert in this year’s season was accompanied by a beautifully warm evening at the Sydney Conservatorium of Music. Ironwood is a period-instrument ensemble established in 2006 that explore not only historically informed performances of late-Renaissance works, but delve into music from the

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