Neal Peres da Costa

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Nicole van Bruggen

Australian Romantic & Classical Orchestra | Love, Loss & Madness

Bel canto tales of love, loss and madness from 19th-century Italy… told by some of Australia’s most brilliant singers, using all the chiaroscuro and passion of the human voice against a lush backdrop of historical strings, winds and brass. An imagined opera of arias, recitatives and overtures, based on groundbreaking new research by Prof. Neal Peres Da Costa, and featuring

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Jacqui Smith

CIMF, Folías de España – 5 stars!

Canberra International Music Festival | Folías de España Friday 1 May, 2026, Gandel Hall, National Gallery of Australia, ACT Lina Tur Bonet, violin Neal Peres Da Costa, harpsichord   Folías del Fuego I first heard Spanish violinist Lina Tur Bonet in late 2024, after we had newly arrived to live in Canberra. On tour with Musica Viva Australia, Lina led

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Pepe Newton

ABO’s Night in Versailles with Justin Taylor an absolute delight!

Australian Brandenburg Orchestra | Night in Versailles July 6, 2024 | City Recital Hall, Sydney Who isn’t intrigued by a Bach concerto for four harpsichords? This, and the celebrity Franco-American harpsichordist Justin Taylor were the draw cards for a Night in Versailles, part of the Australian Brandenburg Orchestra’s 2024 season.  As we entered the hall we were dazzled by sparkle… 

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Bach Akademie Australia at SYD FEST 24, a truly impeccable lineup

Bach Akademie Australia | JS Bach: A Life in Music 23 January, 2024, ACO Pier2/3 Sydney Bach Akademie Australia Director Madeleine Easton Susannah Lawergren – soprano Hannah Fraser – alto Richard Butler – tenor Christopher Richardson – bass PROGRAM JS Bach Cantata BWV 106 ‘Actus Tragicus’ Brandenburg Concerto no.5 in D major BWV 1050 Motet ‘Lobet den Herrn’ BWV 230

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Jane Downer

CD Review: Australian Romantic & Classical Orchestra | Heavenly Mozart

Australian Romantic & Classical Orchestra | Heavenly Mozart CD Released November 10, 2023 The Australian Romantic & Classical Orchestra’s Heavenly Mozart recording features two of Mozart’s supremely popular orchestral pieces – his Piano Concerto in A major no. 23 and the outstanding Symphony in C major no. 41. Taking an historically informed approach to performance, the orchestra purposes to cast

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Alan Holley

Grazie Bach Akademie Australia! Just perfect

Bach Akademie Australia | Grazie in Grazia Sunday 13 November, 2022, Our Lady of Dolours, Chatswood Madeleine Easton – director Susannah Lawergren – Soprano Brianna Louwen – Soprano Hannah Fraser – Alto Stephanie Dillon – Alto Richard Butler – Tenor Koen Van Stade – Tenor Andrew O’Connor – Bass Jack Stephens – Bass In a 100 year old church in

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Heidi Hereth

Australian Romantic & Classical Orchestra – Sweet, rich, mellow, like Viennese chocolate

Australian Romantic & Classical Orchestra | Tempestuous Skies August 24. 2022, City Recital Hall We were pleased that the skies were NOT tempestuous when we made our way to the City Recital Hall to experience Tempestuous Skies with the Australian Romantic & Classical Orchestra. This all-Mozart program was superbly played mainly on 19th century instruments or copies thereof in the

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Review: Heavenly Music of Bach’s Magnificat

Bach Akademie Australia Madeleine Easton – musical director Friday November 26, 2021 Christ Church St Laurence, Sydney A large and devoted audience greeted the Bach Akademie Australia in its concert of festive works by Johan Sebastian Bach in the delightful Christ Church St Laurence. Due to Covid restrictions on the arts over the last 18 months or so Sydney has

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Jane Downer

Livestream Review | Baroque Duo, a portent of brighter things to come

Baroque Duo Melbourne Digital Concert Hall Wednesday 15th September 2021 At a time when a whole raft of period-instrument and other performances have been erased from the Australian scene, it took little hesitation to be back watching a Melbourne Digital Concert Hall livestream where Baroque Duo musicians – Neal Peres da Costa (harpsichord) and Daniel Yeadon (violoncello and viola da

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Jennifer Foong

Superbly played polished performance from Bach Akademie Australia

Bach Akademie Australia | Obbligato Sonatas Holy Name Church Wahroonga, June 20, 2021 On a cold, wet, and windy winter’s afternoon, the audience at the Parish of the Holy Name Church Wahroonga were treated to 5 of the 6 JS Bach’s Sonatas for Violin and Obbligato Harpsichord, a single sonata cycle with a remarkable expressive range, courtesy of its key

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Clive Lane + Marjory Ellsmore

Australian Romantic & Classical Orchestra really sparked!

Evoke Thursday 6 May | 7.00pm City Recital Hall, Sydney On a rainy Thursday night we headed to the City Recital Hall in Sydney to hear members of the Australian Romantic & Classical Orchestra (ARCO) in a chamber music concert. And how delightful to be greeted by a stage evoking the mood of a Viennese salon, ‘dressed’ with just enough

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Tony Burke

Review: ‘Les Illuminations’ of the Australian Romantic & Classical Orchestra

Australian Romantic & Classical Orchestra | Illuminate City Recital Hall, 19 February, 2021 Could it really be happening – I was sitting in front of a stage about to hear real live music. Of course absence makes the heart grow fonder and particularly when the concert in question featured the Australian Romantic & Classical Orchestra. An enticing programme featuring strings

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Jane Downer

Review: Bach Akademie Australia’s Luminous Christmas Joy

Weihnachtsfreude Wednesday 16th December 2020 Introduced by Chris Howlett from the Melbourne Digital Concert Hall, the Bach Akademie Australia offered a wonderfully spirited performance of Christmas Joy in celebration of the impending season. A small ensemble of experts familiar on the Australian early music scene presented a motet, concerto, cantata, and oratorio arias by Johann Sebastian Bach. A curved wall

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Lliane Clarke

Review: Weichnachtsfreude

Bach Akademie Australia Christ Church St Laurence, Friday November 13, 2020 In the first orchestral concert for Christ Church St Laurence since COVID struck down the performing arts, the exquisite Bach Akademie Australia chamber ensemble presented two intimate evening concerts, back to back, to a live audience.  I can only guess the stress behind the scenes of presenting a live

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Bach Akademie Australia didn’t disappoint with Bach’s magical concerti

If there was a star-spangled concert in Sydney’s Early Music scene, this would be it. Madeleine Easton, Neal Peres da Costa, Mikaela Oberg, Alicia Crossley and Aaron Reichelt represented the best in their chosen instruments and they didn’t disappoint. What really struck me was how tightly the ensemble played – from the get-go to the last chord in the concert.

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The inaugural Eastside Sydney Music Festival finale was an all-Baroque “Stravaganza!”

The final concert of the inaugural week-long Eastside Sydney Music Festival (ESMF), curated by Professor Neal Pere da Costa and supported by Sydney University, was an all-Baroque affair held at the Paddington Town Hall. It featured musicians from three groups – Ironwood, The Australian Haydn Ensemble, and The Muffat Collective – all renowned for their Historically Informed Performance practice. Experienced

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Evergreen Ensemble’s Curious Caledonians transports to a different time & place in Australian history

Highland ceilidh, Regency quadrilles and Victorian parlour songs, the Evergreen Ensemble and partners’ programme, Curious Caledonians, draws on the collections of songbooks and sheet music housed in the Sydney Living Museums and the State Library of NSW. They were handwritten copies brought by Scottish immigrants to Australia. The magnificent Elizabeth Bay House made an apt venue for this concert –

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Ironwood’s Old Masters, New Sounds

The recital opened with an elucidating lecture on the rationale for the performance style of this Brahm’s Piano Quartet and was well received by the attentive audience. I’ve always considered the term ‘Historically Informed Performance’ rather awkward; its opposite would imply a non-historical and non-informed performance— and that is an absurdist reduction. But still, the moniker sticks. We understand the

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