Pinchgut Opera

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Ambassador thoughts
Eli Beverley Schack

Concertos and Sonatas – a thrilling opening for Pinchgut Opera

Pinchgut Opera | Concertos and Sonatas 28 March, 2026, City Recital Hall, Sydney, NSW Program: Georg Philipp Telemann – Sonata à 4 in A major, TWV 40:200 Johann Friedrich Fasch – Lute Concerto in D minor, FaWV L:d1 Georg Philipp Telemann – Sonata à 5 in E minor, TWV 44:5 Johann Sebastian Bach – Violin Concerto in A minor, BWV

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Ambassador thoughts
Pepe Newton

Flights, Feathers and Fanfares: Pinchgut’s Fairy Queen Soars

Pinchgut Opera | The Fairy Queen 7 June,  2025, Roslyn Packer Theatre, Walsh Bay, NSW Wow! Pinchgut does it again… From the first downbeat to the final shimmering chord, The Fairy Queen had me completely enthralled. The thrilling blend of baroque brilliance and modern wit had me pinned to my seat, not wanting to miss a moment of this cleverly

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Ambassador thoughts
Alan Holley

Helyard’s glorious journey through the Goldberg Variations

Pinchgut Opera | Erin Helyard plays Bach‘s Goldberg Variations March 1, 2025, City Recital Hall, Sydney, NSW JS BACH (1685-1750) – Goldberg Variations BWV988 Performed by Erin Helyard  |  Presented by Pinchgut Opera  Nearly 1 year ago the Sydney Symphony Orchestra promoted the Icelandic pianist Víkingur Ólafsson in a sold out recital of the Goldberg Variations in the Sydney Opera

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Ambassador thoughts
Alan Holley

Pinchgut’s Julius Caesar – Wow! Sensational!

Pinchgut Opera | Julius Caesar November 21, 2024, City Recital Hall, Sydney, NSW George Frideric Handel (1685–1759)   Libretto by Nicola Francesco Haym (1678–1729) Cast Tim Mead   Caesar (Emperor of Rome) Samantha Clarke   Cleopatra (Queen of Egypt) Hugh Cutting   Tolomeo (Cleopatra’s brother, King of Egypt) Stephanie Dillon   Cornelia (Wife of the Roman general, Pompeo) Helen Sherman   Sesto (Cornelia’s son) Andrew O’Connor 

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Ambassador thoughts
Pepe Newton

Pinchgut’s Dido and Aeneas nothing less than exceptional

Pinchgut Opera | Dido and Aeneas June 2, 2024, City Recital Hall, Sydney, NSW Pinchgut Opera has once again proven its mastery of the Baroque repertoire with a captivating performance of Henry Purcell’s star-crossed love story Dido and Aeneas at Sydney’s City Recital Hall. This production, directed by Lucy Clements, not only resurrects a classic but elevates it to new

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Ambassador thoughts
Alan Holley

Pinchgut: Antics, intrigue and excellent playing and singing

Pinchgut Opera | Pleasures of Versailles & Love Conquers All Two mini operas by Marc-Antoine Charpentier (1643-1704) Saturday 9th September, 2023, City Recital Hall, Sydney Soloisits – Cathy-Di Zhang, Lauren Lodge-Campbell, Hannah Fraser, Michael Petruccelli and David Greco Orchestra of the Antipodes Erin Helyard – conductor Presenting two short unknown works written for Louis XIV around 350 years ago requires

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Insight
Daniel Kaan

Pinchgut Opera artists discuss Hasse’s Artaserse

Johann Adolph Hasse’s 1730 opera Artaserse was very famous in its day, but it has rarely been performed since 1760 and certainly not in Australia. A number of things are immediately obvious in a discussion with the key creatives of this project. They are extremely proud to be involved in the opera’s resurrection. They are passionate about this opera and

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Pinchgut’s The Chimney Sweep from the perspective of an alternative rock chick

Warning: this is not a professional review lauding the technical aspects of the opera — rather an opinion piece from the viewpoint of an opera layman Having already had my opera cherry popped after attending Pinchgut’s Giasone last year – I was thankfully partially versed in the etiquette which is part and parcel of the opera/classical scene. I had invited

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