Simon Martyn-Ellis

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meredith

Meredith Beardmore | The Long Blue Horizon

Two soundworlds collide: 18th century Paris & 21st century Tasman Peninsula. Historical flautist Meredith Beardmore takes her flutes through unexpected terrains. Her recent release The Long Blue Horizon was created on the Tasman Peninsula. Inspired by the extraordinary landscape of the peninsula, the album combines historical flutes and field recordings. In this intimate concert, Meredith performs music inspired by the

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Eli Beverley Schack

Concertos and Sonatas – a thrilling opening for Pinchgut Opera

Pinchgut Opera | Concertos and Sonatas 28 March, 2026, City Recital Hall, Sydney, NSW Program: Georg Philipp Telemann – Sonata à 4 in A major, TWV 40:200 Johann Friedrich Fasch – Lute Concerto in D minor, FaWV L:d1 Georg Philipp Telemann – Sonata à 5 in E minor, TWV 44:5 Johann Sebastian Bach – Violin Concerto in A minor, BWV

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Pepe Newton

Pinchgut’s Dido and Aeneas nothing less than exceptional

Pinchgut Opera | Dido and Aeneas June 2, 2024, City Recital Hall, Sydney, NSW Pinchgut Opera has once again proven its mastery of the Baroque repertoire with a captivating performance of Henry Purcell’s star-crossed love story Dido and Aeneas at Sydney’s City Recital Hall. This production, directed by Lucy Clements, not only resurrects a classic but elevates it to new

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Heidi Hereth

This concert was DIVINE! AHE Heavenly Sopranos

Australian Haydn Ensemble | Heavenly Sopranos Tuesday April 16, 2024, City Recital Hall, Sydney NSW Although it is tempting to play with words around Celeste, Skye and Heavenly, I will simply say this concert was DIVINE! The AHE with Skye McIntosh and Matthew Greco on violin, Karina Schmitz on viola, Anton Baba on cello, Pippa Macmillan on double bass, Simon

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Clive Lane + Marjory Ellsmore

Simon Martyn-Ellis’ very pleasant evening of plucked-string music!

At the King’s Pleasure: A recital of music from Baroque France Simon Martyn-Ellis: theorbo and baroque guitar 28th February, 2024, Glebe Town Hall Simon Martyn-Ellis is probably best known to Sydney audiences from his work as a continuo theorbo player with Pinchgut Opera and the Australian Chamber Orchestra but he has also mastered the lute, baroque guitar, and 19th century

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Claudia Jelic

The particular panache of Salut! Baroque’s ‘Genius’

Salut! Baroque | The Genius February 18, 2024, Verbrugghen Hall, Sydney Performers: Anna Fraser, soprano Sally Walker, baroque flute Sally Melhuish and Alana Blackburn, recorders Meg Cohen and Sarah Papadopoulos, baroque violins Suzie Kim, baroque viola Tim Blomfield, bass violin Simon Martyn-Ellis, theorbo/baroque guitar Chad Kelly, harpsichord, who impressively stepped in at short notice for Monika Kornel. Salut! Baroque’s ‘The

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Simon Hirtzel

Salut! A spoonful of Baroque on a Sunday afternoon

Salut! Baroque | Medicinal Music Sunday 20 November, Sydney Conservatorium of Music Reflecting on the uncertainty and chaos of the last two years, where the concept of time warped and twisted until it became elastic and unpredictable, it was reassuring — despite yet another Covid wave and a fully masked audience — to step into the warm afternoon light of

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Ron Ringer

Salut! Baroque – Music like this sets us free

Salut! Baroque | The New World Sunday 14 Aug, 2022, Verbrugghen Hall, Sydney Artists: Susannah Lawergren – Soprano Sally Melhuish & Hans-Dieter Michatz  – Recorder Stan Kornel, Bridgitte Holden – Baroque Violin; John Ma – Baroque Viola Tim Blomfield – Bass Violin Simon Martyn-Ellis – Theorbo George Wills – Guitar Jack Peggie – Percussion Monika Kornel – Harpsichord   Sunday’s

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Alan Holley

Review: The musically delightful Castalia Vocal Ensemble launches in Sydney

Hotheads and Lovers Saturday February 12, 2022 – Ambush Gallery, Waterloo When a new vocal ensemble launches on the concert scene it is cause for celebration and when this group is as skilled and as musically delightful as CASTALIA VOCAL ENSEMBLE then concertgoers everywhere should take notice. For an emerging group the ensemble work was nothing short of astonishing. In

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Review: The musically delightful Castalia Vocal Consort launches in Sydney

Hotheads and Lovers Saturday February 12, 2022 – Ambush Gallery, Waterloo When a new vocal ensemble launches on the concert scene it is cause for celebration and when this group is as skilled and as musically delightful as CASTALIA VOCAL CONSORT then concertgoers everywhere should take notice. For an emerging group the ensemble work was nothing short of astonishing. In

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Choir of St James',a rose upon a thorn
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Heath Auchinachie

Review: Spellbound by The Choir of St James’

March 6, 2021,  St James’ Church, Sydney Walking through Martin Place to the Church of St. James under a soft autumn glow, I found myself thinking about what this concert would represent; represent to The Choir of St. James’, to the audience, and to myself. To the choir, their first concert in over a year would seem to represent a

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ARCO a delight
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Daniel Kaan

Review: Australian Romantic & Classical Orchestra a delight!

Australian Romantic & Classical Orchestra – Mozart & Abel Friday 23rd October at 7pm, Melbourne Digital Concert Hall The first two quartets were played by Georgia Browne (flute), Matthew Greco (violin), Karina Schmitz (viola) and Daniel Yeadon (cello). Browne is the featured guest artist for this concert. She studied with Barthold Kuijken in The Hague and has played extensively as

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