Sydney Mozart Society | Streeton Trio The Concourse Chatswood, March 10, 2022 The Sydney Mozart Society has again triumphed over adversity and Friday’s concert by the familiar Streeton Trio, originally programmed for two years ago, was finally performed. First we heard Mozart’s Piano Trio in C major. Mozart didn’t favour this genre, preferring to write for larger groups, but piano
Sydney Mozart Society – Sonus Piano Quartet Tues 14th Dec, 2021, The Concourse Chatswood It was great to be back at the Chatswood home of Sydney Mozart Society whose programming has been severely affected by the Covid outbreak. The Society has a long history of providing carefully selected artists playing interesting and impeccably chosen chamber works. The Sonus Piano Quartet
We were privileged to be guests of the Enigma Quartet at Chatswood on a balmy Spring evening. The Quartet took shape under the Musica Viva “Rising Stars” program in 2012 and has gone ahead in leaps and bounds since. First violinist Marianne Edwards graduated with a PhD from Sydney University and is Associate Principal Second Violinist with the Sydney Symphony
A packed hall at Chatswood Concourse welcomed violinist Sophie Rowell and pianist Kristian Chong, who are no strangers to the Sydney Mozart Society. Sophie won the ABC Young Performers Award in 2000 which gave her the opportunity to play as soloist with the major Australian orchestras. She then founded the Tankstream Quartet which won many overseas prizes before morphing into
Every programme given by the Sydney Mozart Society is carefully thought out in collaboration with the artists. Whether intentional or not, Friday night’s concert was notable for featuring music which to most listeners was to some extent unfamiliar. The performing artists, the Sydney Soloists, were probably more familiar to many in the audience and the decision to play these pieces
The latest Sydney Mozart Society concert was cleverly timed to coincide with the opening of Vivid Chatswood but, fortunately, although the visual aspect was welcoming, we were insulated from the sound effects. On this occasion, Kathryn Selby continued her well-established friendship with the Society, aided by two distinguished musicians. Andrew Haveron was born in London and studied at the Purcell
Why is it that the sound of the Goldner String Quartet is so distinctive? Certainly there is their perfect timing and intonation but there is more than that. I feel sure that I could pick their playing from ten recordings of top quartets just as 80 years ago one could identify the Amadeus quartet even on vinyl. Perhaps the key
It’s hardly necessary to say that the Sydney Mozart Society, now in its sixty-ninth year, produced another recital of the highest quality. The Australia Piano Quartet is now in its eighth year as Resident Ensemble at Sydney’s University of Technology where it has focused largely on contemporary Australian composers and has worked with the School of Software in incorporating digital and chamber music
Probably the most welcome rainstorm in Sydney history put the Chatswood audience, which included eminent patrons Lauris Elms and Donald Hazlewood, in a relaxed mood for the latest concert by Sydney Mozart Society with The Australian Haydn Ensemble, were very welcome debutants to this series, well known for playing on period instruments. Simone Slattery hails from Melbourne but is a
This was the last concert of the Sixty Seventh year of the Mozart Society and it was appropriate that, in contrast to recent programmes, we were treated to works familiar to many listeners. The Enigma Quartet has been playing for twelve years and has become a feature of the Sydney classical music scene. Marianne Broadfoot, violin won the Australian Concerto
There must be a tremendous amount of planning that goes into the programming of Sydney Mozart Society concerts. At Chatswood Concourse on Friday, there was a programme that consisted largely of familiar works arranged for unusual combinations of instruments. These arrangements were worked by John Rotar, who, although few of us are aware, composed the recently introduced “warning” fanfare before
Duncan Gifford now lives in Madrid but returns to his native Australia annually. He has the distinction of being the highest placed Australian in the Sydney Piano Competition when he came third in 1992 as well as numerous other competition successes. Susan Collins has performed as a violin soloist in Australia, Europe and USA as well as conducting the Sydney
Sydney Mozart Society’s concert in Chatswood by the Sydney Soloists, who recently morphed from the Verbrugghen Ensemble, come with great pedigree. All members of the Sydney Symphony Orchestra, although Robert Johnson has recently announced his retirement. A Divertimento in E flat for horn, violin and cello by Haydn was the first offering. An early piece which is one of many
Chatswood on a Friday night is buzzing with the night food markets and people heading out for time with their family and friends. Climbing the stairs to the concourse is like heading up to the temple, where one can see directly into a Korean Karaoke restaurant and the emboldened displays of fashion at TopShop. Rising right to the top and
The Sydney Mozart Society has transformed smoothly to its new Chatswood venue and continues to present enticing programmes which include music by Amadeus himself.
Each work had points of interest and provided easy listening, a tribute to the Sydney Mozart Society and to the Streeton Trio which melded superbly in its altered format.
Hugely enjoyable with its varied innovative programme in an intimate atmosphere, an enthusiastic audience, and above all, the brilliance of its three soloists.
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