zoe knighton

fq 2026 season 6 photo credit agatha yim, polyphonic pictures 2
Pepe Newton

Sydney Mozart Society | Flinders Quartet

Over 25 years challenging and championing the string quartet, Flinders Quartet has won the hearts of audiences as a leading ensemble of artistic integrity.  It is known for its tight ensemble, impeccable intonation, and insightful, deeply human interpretations.  The warmth and generosity of its members shine through every endeavour.  In this programme the Quartet illuminates the development of the string

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move
Ambassador thoughts
Alan Holley

Move CDs for Christmas  

Alan Holley reviews three new CD’s on the MOVE record label Zoe Knighton, cello +  Amir Farid, piano | Brahms Cello Hamish Strathdee, Guitar | Impulses – A CD of of Guitar Australian Chamber Choir | Keys to Heaven Brahms Cello Zoe Knighton, cello and Amir Farid, piano Catalogue number   MD 3451 Johannes Brahms 1833–1897 Cello Sonata No. 1

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2024 sms 6 flinders quartet 1200x675px
Ambassador thoughts
Alan Holley

A transcendent performance of Beethoven by Flinders Quartet

Sydney Mozart Society | Flinders Quartet October 23, 2024,  The Concourse Concert Hall, Chatswood, NSW MENDELSSOHN Capriccio for string quartet in E minor, Op.81 no.3  BEETHOVEN String Quartet in B-flat major, Op.18 no.6   MENDELSSOHN String Quartet in F minor, Op.80   Elizabeth Sellars (violin), Wilma Smith (violin), Helen Ireland (viola), Zoe Knighton (cello)  Travelling to this concert my mind wandered back

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Flinders Quartet brought to life a vivid picture of Shostakovich through the lens of his string quartets

Unfortunately it’s not often that you see concert programmes combining the spoken word with live music, but in regards to the life and music of Shostakovich, it seems only natural. A composer who often felt the full effects of Stalinist rule, his life and music were so deeply intertwined that it would seem impossible to have one without the other.

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Ambassador thoughts
Cyrus Cadungog

Flinders Quartet: Quartet Bliss

I haven’t been to the Opera House since my older sister (now 29) played there for her piano recital when she was 7 or 8. It’s been a while. Flinders Quartet (2 violins, a viola and a cello) played three pieces – by Haydn (pronounced high-din, but I’ll probably never stop calling him Haydn), Shostakovich, and Dvorak (which, incidentally, shares

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