Charpentier

20260502f 014 tissages du temps
Ambassador thoughts
Pepe Newton

CIMF’s Tissages du temps a mind-bending exploration of sound and time

Canberra International Music Festival | Tissages du temps May 2, 2026, Snow Concert Hall, Canberra, ACT There is something particularly satisfying about a program that doesn’t simply present music across time, but actively reimagines it. Tissages du temps (“weavings of time”) did exactly that, tracing a distinctly French lineage across some 300 years, not through historical reconstruction, but through transformation.

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carpentier kew
Ambassador thoughts
Daniel Brace

Kew Philharmonic Chamber Choir’s glorious and heavenly Charpentier

Written in 1699, the Missa Assumpta est Maria is Charpentier at the height of his powers, musically, expressively and technically. It’s also beautifully French with all the Baroque trimmings you could wish for, elegant, ornamented, and fluid, moving effortlessly through multiple rhythms and time signatures.  Such a work is a momentous challenge for the performers, and that challenge was accepted

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thepleasuresofversailles pinchgutopera credit cassandrahannagan 146
Ambassador thoughts
Alan Holley

Pinchgut: Antics, intrigue and excellent playing and singing

Pinchgut Opera | Pleasures of Versailles & Love Conquers All Two mini operas by Marc-Antoine Charpentier (1643-1704) Saturday 9th September, 2023, City Recital Hall, Sydney Soloisits – Cathy-Di Zhang, Lauren Lodge-Campbell, Hannah Fraser, Michael Petruccelli and David Greco Orchestra of the Antipodes Erin Helyard – conductor Presenting two short unknown works written for Louis XIV around 350 years ago requires

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Ambassador thoughts
Simon Hirtzel

Salut! A spoonful of Baroque on a Sunday afternoon

Salut! Baroque | Medicinal Music Sunday 20 November, Sydney Conservatorium of Music Reflecting on the uncertainty and chaos of the last two years, where the concept of time warped and twisted until it became elastic and unpredictable, it was reassuring — despite yet another Covid wave and a fully masked audience — to step into the warm afternoon light of

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Consort 8’s sweetly jubilant program brought centuries-old music to life in the modern-day

As a sizeable audience took their places in the pews of Edmund Blackett’s Gothic Revival church of St. Paul’s Anglican in Burwood, a sole rousing drum marked the opening of this final concert for Consort 8 in 2019. Appropriately, the program featured music for Advent and Christmas from the haunting 15th-century song of the nuns of Chester to French carols

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