Meg Cohen

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Richard Excell

Delightfully performed ‘Take Six’ by Genesis Baroque

Genesis Baroque | Take Six 19 May 2026, Victorian Artists’ Society, East Melbourne, VIC Performers: Meg Cohen & Jennifer Kirsner, violins Steven King & Anna Webb, violas Josephine Vains & Natasha Kraemer, cello MOZART/Anon & BRAHMS   This was very much a case of Genesis Post-Baroque, as, like a welcome number of period instrument ensembles, the performers explored the delights of

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the directors' cut
jkirsner

Genesis Baroque | The Directors’ Cut – Les Gôuts Réunis

Join Genesis Baroque’s Artistic Director Jennifer Kirsner and Principal Music Director Donald Nicolson and friends for works by some of their all-time favourite composers. The ultimate mixed bag of treats from Bohemia to England, via Italy, Spain, and France. A wintery, warming, eclectic musical romp that showcases the trailblazing imagination of the baroque age.  

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flute
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David Hood

Melbourne Classical Quartet’s programme left me wanting more!

Melbourne Classical Quartet | The Classical Flute May 2, 2026, St. Stephen’s Anglican Church, Richmond, VIC Cameron Jamieson; Meg Cohen, violins; Katie Yap, viola; Rosanne Hunt, cello, with Kim Tan, classical flute   I’ve played piano in St. Stephen’s, previously, so I knew what a pleasant, welcoming space it is: light, airy, some beautiful stained-glass and, not to be overlooked,

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Guest Reviewer

Wattleseed presents a truly creative and gripping exploration of Australian sound worlds

Wattleseed Ensemble | The Orchid and the Wasp Saturday 29 November, 2025, Oratory, Abbotsford Convent Beginning with music from 12-century polymath Hildegard von Bingen, ending with contemporary Swedish fiddle music, and covering everything from Bach to multidisciplinary sound art in-between, it’s hard to imagine any other string trio pulling off the kaleidoscopic journey that was “The Orchid and the Wasp”,

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Ambassador thoughts
Richard Excell

MBO & Craig Hill’s sensitive exploration of the glorious basset clarinet

Craig Hill with the MBO Classical Quartet | Mozart Clarinet Quintet 28 June 2025, St Stephen’s Anglican Church, Richmond, VIC Craig Hill, basset horn and basset clarinet; Cameron Jamieson and Meg Cohen, violins; Caroline Henbest, viola; Rosanne Hunt, cello Craig Hill’s expertise in historical clarinets covers a wide range of periods and types, but in this concert the focus was

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wattleseed sa landscape
Ambassador thoughts
Guest Reviewer

Wattleseed Ensemble’s musical storytelling of the highest calibre

Wattleseed Ensemble | The Orchid and the Wasp 15th February 2025, Nexus Arts, Adelaide, SA Wattleseed Ensemble is a modern string trio led by co-artistic directors Meg Cohen (violin) and Katie Yap (viola), with cellist David Moran. Despite being based in Melbourne and competing with other major events on this particular Saturday evening (Adelaide Symphony Orchestra, comedian Aaron Chen, and

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MBO’s lesser known quartets from the masters, a wonderful delight

Melbourne Baroque Orchestra Classical Quartet | The Emergence of the String Quartet 27 July 2024, St Stephen’s Anglican Church, Richmond If Haydn is the acknowledged ‘father’ of the string quartet, did he conceive of the form or simply nurture it to maturity? If the latter, then who were the quartet’s earlier ancestors? Appearing as part of the St Stephen’s recital

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moirai
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Guest Reviewer

Moirai brings centuries old melodies seamlessly into a 21st Century aesthetic

Moirai Ensemble | Bundanon Residency Preview Sunday 12 May, 2024, Glasshouse Gallery, VIC On a classic chilly Naarm/Melbourne autumn evening with the borealis lighting up the skies, a crowd headed down a cobblestone laneway lined with converted factories into a whitebox gallery space dominated by a single large artwork suspended mid gallery, with a trio of instruments set up in

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dj6 7572 q2k99
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Lily Begg

Moirai Ensemble make their debut with Mother Line

Music, She Wrote: Concert 1 Moirai Ensemble | Mother Lines 20th March 2024, Tempo Rubato, Brunswick, VIC Music, She Wrote is back for its fourth year, fresh and inventive as ever under the leadership of Artistic Director Katie Yap. With a focus on the role of women in oral and musical tradition and the importance of memory in passing on

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salut baroque february 2024 b
Ambassador thoughts
Claudia Jelic

The particular panache of Salut! Baroque’s ‘Genius’

Salut! Baroque | The Genius February 18, 2024, Verbrugghen Hall, Sydney Performers: Anna Fraser, soprano Sally Walker, baroque flute Sally Melhuish and Alana Blackburn, recorders Meg Cohen and Sarah Papadopoulos, baroque violins Suzie Kim, baroque viola Tim Blomfield, bass violin Simon Martyn-Ellis, theorbo/baroque guitar Chad Kelly, harpsichord, who impressively stepped in at short notice for Monika Kornel. Salut! Baroque’s ‘The

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Ambassador thoughts
Karen Van Spall

Mere mortals thrilled by The Muses’ Delight

The Muses’ Delight | Neo/Classical Serenades 21 November, 2022, Tempo Rubato Even on an uncharacteristically blustery, wet November day, the doors of Brunswick’s Tempo Rubato were flung welcomingly open. Chatter accompanied by clinking glassware drifted into the street – Tempo Rubato’s theme song. The huge Stuart & Sons piano, the resident giant, filled most of the stage and lent itself

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Review: Heavenly Music of Bach’s Magnificat

Bach Akademie Australia Madeleine Easton – musical director Friday November 26, 2021 Christ Church St Laurence, Sydney A large and devoted audience greeted the Bach Akademie Australia in its concert of festive works by Johan Sebastian Bach in the delightful Christ Church St Laurence. Due to Covid restrictions on the arts over the last 18 months or so Sydney has

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