Sara Macliver

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Pepe Newton

Pinchgut’s The First Murder is a tender and devastating triumph

Pinchgut Opera | The First Murder May 23, 2026, Roslyn Packer Theatre, Walsh Bay, NSW Pinchgut’s invitation was simple and rather bold: “To understand the world we live in, let’s return to where it began.” In The First Murder, that beginning was not a exactly the Garden of Eden, but a scrubby Aussie beach campsite: sand, rocks, flannel flowers, an

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Warren Wills

Royal Melbourne Philharmonic’s Messiah – sumptuous, stirring, moving…

Royal Melbourne Philharmonic Choir & Orchestra | Handel’s Messiah December 7, 2025, Melbourne Town Hall  The Occasion  On December 7th, as fires raged through NSW, the Ashes nearly decided in the cricket, the Underworld revered at the Regent (by Opera Australia), the Good Food and Wine Festival bringing calorific delight at the Convention Centre, a sure-fire Chrissy staple re-emerged for

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Daniel Kaan

Sara Macliver dazzling with SSO under Stephen Layton

Sydney Symphony Orchestra: Stephen Layton conducts Bach Mozart & Handel 21 August 2025, Concert Hall, Sydney Opera House, NSW PROGRAM: JS BACH Jauchzet Gott in allen Landen, BWV51 MOZART Exsultate, jubilate  HANDEL Music for the Royal Fireworks ARTISTS: STEPHEN LAYTON conductor SARA MACLIVER soprano What is not to like about a program of unrelentingly cheerful music? The world-renowned choral conductor, Stephen Layton, who specialises in

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Ambassador thoughts
Pepe Newton

Pinchgut’s Dido and Aeneas nothing less than exceptional

Pinchgut Opera | Dido and Aeneas June 2, 2024, City Recital Hall, Sydney, NSW Pinchgut Opera has once again proven its mastery of the Baroque repertoire with a captivating performance of Henry Purcell’s star-crossed love story Dido and Aeneas at Sydney’s City Recital Hall. This production, directed by Lucy Clements, not only resurrects a classic but elevates it to new

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Heidi Hereth

With Sara Macliver, the Australian Haydn Ensemble stunningly interpret the Delirium of Love

After a picnic lunch in the sunny Botanic Gardens, it was only a small step in the imagination to be transported to an eighteenth-century garden to listen to Scarlatti’s Concerto Grosso No. 3 from Six concerti in seven parts, which opened the Australian Haydn Ensemble’s fourth concert series, Delirious Love. Written in a major key (F), it was most likely

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Heidi Hereth

UNSW’s Winter Gala program curated around women in love, life and musical creativity

I was pleased when the UNSW Winter Gala was moved from the Sir John Clancy Auditorium to the more intimate Tyree Room at the Scientia Building. This made for a convivial, cosy atmosphere, as rugged-up enthusiasts had the pleasure of being musically entranced by Sara Macliver and Ian Munro. One could immediately feel the collaboration and rapport between these two

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Ambassador thoughts
Matthew Hodge

Academy of Ancient Music and Sara Macliver makes Baroque music come alive

It can be a challenge to make Baroque music (music of the 1600s/1700s) come alive. It always sounds beautiful, but in the hands of the wrong musicians, it might not necessarily sound exciting. The Academy of Ancient Music, led by Richard Egarr, has no such worries – they use period instruments to recreate the early sound, and then play with

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