Australian Haydn Ensemble: Haydn’s Dream Melbourne Digital Concert Hall 8th October 2020 Australian Haydn Ensemble’s livestream concert on Thursday night was the perfect way to relax and dream away the week. Broadcast through Melbourne Digital Concert Hall, the concert was part of their residency with Create NSW and the National Art School at the Old Darlinghurst Gaol. The Cell Block
When visiting art galleries across Europe one frequently comes across rooms full of commissioned military paintings: pompous men on horses or battle scenes on sea and land. While the painters may have significant technical skill, the subject matter often does not have any great emotional depth and so doesn’t really lend itself to great art. Usually, the ambulatory fast-forward button
On a cool overcast Sunday afternoon in Sydney, the Australian Haydn Ensemble, a leading period instrument group established in 2012, gave its final concert for 2019 under the guest directorship of well-known Baroque violinist, Midori Seiler, one of four sisters who are all professional string players. The concert began with Mozart’s Symphony No. 33 in B flat major, K319, a
After a picnic lunch in the sunny Botanic Gardens, it was only a small step in the imagination to be transported to an eighteenth-century garden to listen to Scarlatti’s Concerto Grosso No. 3 from Six concerti in seven parts, which opened the Australian Haydn Ensemble’s fourth concert series, Delirious Love. Written in a major key (F), it was most likely
The final concert of the inaugural week-long Eastside Sydney Music Festival (ESMF), curated by Professor Neal Pere da Costa and supported by Sydney University, was an all-Baroque affair held at the Paddington Town Hall. It featured musicians from three groups – Ironwood, The Australian Haydn Ensemble, and The Muffat Collective – all renowned for their Historically Informed Performance practice. Experienced
On Sunday June 2, the Australian Haydn Ensemble performed an interesting program with a “French Twist” at the Independent Theatre in North Sydney. This included works with a French connection by Mozart and Haydn, paired with works by little known and rarely performed composers Jadin and Devienne, plus the more well-known Rameau, whose Cinquième Concert from Pieces de Clavecin en
Probably the most welcome rainstorm in Sydney history put the Chatswood audience, which included eminent patrons Lauris Elms and Donald Hazlewood, in a relaxed mood for the latest concert by Sydney Mozart Society with The Australian Haydn Ensemble, were very welcome debutants to this series, well known for playing on period instruments. Simone Slattery hails from Melbourne but is a
There is always a sense of relief when you arrive in your seats at Angel Place after having passed the god-awful infernal din emanating from the Ivy night club, and there is that magic moment of pure silence just before the musicians are about to play. In this instance our anticipation was rewarded by the sonorous Australian Haydn Ensemble playing
How better to spend a rather chilly, drizzly, overcast Saturday afternoon in Sydney than to attend a concert given by the Australian Haydn Ensemble (AHE), a group specialising in historically-informed performances of late Baroque and early Classical music on period instruments. All three works were arranged for a streamlined ensemble consisting of two violins, two violas, cello, double bass, flute,
A delightful program based on Paris in the late eighteenth century sufficiently warmed one’s soul on a cold winter’s night. In the presence of their esteemed Patron, former NSW Governor, Dame Marie Bashir, the Australian Haydn Ensemble (AHE), along with guest soloist Melvyn Tan, gave another wonderful historically-informed performance. The vast majority of the strings played on period instruments while
After a prolonged run of wet weather in Sydney, the sun shone brightly for the first concert of the Australian Haydn Ensemble’s 2017 season. It featured the works of WA Mozart, Luigi Boccherini, and Giuseppe Cambini, either arranged for or originally composed for string quintet. Unlike Mozart, both Boccherini and Cambini moved away from their country of birth to Spain
The performance of the Second Symphony the ensemble produced a big sound for the space and is better suited to chamber music arrangement.
The highly-anticipated night of firsts for AHE and they did not disappoint. First performance at the City Recital Hall and launch of their first CD.
Haydn Ensemble stands proudly shoulder to shoulder with the many period instrument ensembles found in Europe. We are lucky to have such a professional and vibrant ensemble in our midst.
Melissa Farrow was superb in her quasi-solo role while I felt that the cellist, Anton Baba, stood out in cementing the intricacy of the string playing.
The “Beautiful Boccherini” concert was in an interesting venue, the Cell Block Theatre in the National Arts School complex in Darlinghurst, part of the old 19th century prison. The concert hall, which was a 3 floor high women’s prison first occupied in 1841, has now been gutted and only the outer sandstone walls remain with a new roof and wooden
Throughout the performance the musicians displayed a level of interaction that was only outshone by their obvious love and enjoyment of the Haydn’s music.
I had often heard and read about AHE’s expertise in historically-informed performance since its formation in 2011. Well, they certainly didn’t disappoint.
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