Acclaimed historical keyboardist, Dr. Neal Peres Da Costa, joins AHE to complete their cycle of Beethoven’s piano concertos in chamber format
A delightful program based on Paris in the late eighteenth century sufficiently warmed one’s soul on a cold winter’s night. In the presence of their esteemed Patron, former NSW Governor, Dame Marie Bashir, the Australian Haydn Ensemble (AHE), along with…
After a prolonged run of wet weather in Sydney, the sun shone brightly for the first concert of the Australian Haydn Ensemble’s 2017 season. It featured the works of WA Mozart, Luigi Boccherini, and Giuseppe Cambini, either arranged for or…
The performance of the Second Symphony the ensemble produced a big sound for the space and is better suited to chamber music arrangement.
The highly-anticipated night of firsts for AHE and they did not disappoint. First performance at the City Recital Hall and launch of their first CD.
Haydn Ensemble stands proudly shoulder to shoulder with the many period instrument ensembles found in Europe. We are lucky to have such a professional and vibrant ensemble in our midst.
Melissa Farrow was superb in her quasi-solo role while I felt that the cellist, Anton Baba, stood out in cementing the intricacy of the string playing.
The “Beautiful Boccherini” concert was in an interesting venue, the Cell Block Theatre in the National Arts School complex in Darlinghurst, part of the old 19th century prison. The concert hall, which was a 3 floor high women’s prison first…
Throughout the performance the musicians displayed a level of interaction that was only outshone by their obvious love and enjoyment of the Haydn’s music.
I had often heard and read about AHE’s expertise in historically-informed performance since its formation in 2011. Well, they certainly didn’t disappoint.
Their intonation excellent and every line clear; phrases rose and subsided from the texture with balance and grace. At the finish of this profound and sincere performance, I longed for more.
It is testimony to this chamber music group that the last movement of the Haydn, which as the programme noted ’demands virtuosity from the whole party’ was executed superbly.